I have been an enthusiastic amateur musician for more than 40 years, and throughout that time I always believed that I was keeping reasonably well abreast of developments on the music scene.
The other night I was at a school production – a contemporary dance re-interpretation of Purcell’s ‘Dido and Aeneas’, with an updated score in a style which I can only describe as a jazz/blues/classical crossover. This particular production was largely the brainchild of a young man who is the son of a best-selling novelist and journalist, and who led the five piece onstage band on acoustic guitar.
Alongside him was a pianist, a bassist, a violinist and a percussionist. This latter was seated upon – and was hitting with his bare hands – what looked like a small wooden crate. The great surprise was that the sound produced was not that of a man slapping a wooden box, but rather a pretty good facsimile of a drummer playing a decent sizedĀ kit. The bass was rich and punchy, the snare crisp and tight, and there was a full range of sounds and colours in between.
Amazing!
For those of you who – like me – have never even heard of a Cajon, let alone seen one in action, this video gives some idea of the possibilities, as does this one – though there really is no substitute for actually hearing one live.
Awesome – and not just in the Canadian usage!
As a compulsive tapper of rhythms on anything handy I think I just might need to acquire one…
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