2015

“No man ever steps in the same river twice, for it’s not the same river and he’s not the same man.”

Heraclitus

Long serving followers of these ramblings (and if such you be then you deserve some sort of special prize, though you may have to make do with my grateful thanks) will be aware that I have – on occasion – enthused over some artistic venture or other that has taken my fancy – be it on stage, screen or television. Close observers will also note that there have not exactly been a plethora of such instances, for I am what the Girl describes as a ‘picky customer’.

As the more astute reader will by now have gathered this is by way of a preamble for one of those infrequent occurrences.

We have this week just finished watching the sixth and final episode of the BBC drama – “River“. Should you throw up your hands in exasperation and enquire as to why I am writing about it now – when it is over and done – then you should be aware that the rights have been acquired by Netflix and you can thus catch up with this splendid production at your leisure – the which I wholeheartedly recommend.

“River” was – I repeat – shown first on the BBC. Most of what the Girl and I watch here in Canada is from the BBC and if our viewing thereof be not strictly legitimate then that is simply a sad indictment of the fact that – even in this age of global communication – there isn’t a way of paying to be able to stream the service that we really want – even though we would be delighted so to do if we could.

At a first glance “River” might have given the impression that it was just another police procedural. At the start of the first episode curmudgeonly detective John River (the excellent Stellan Skarsgard) and his longtime sidekick ‘Stevie’ Stevenson (the equally excellent Nichola Walker) are in their car on night duty. She is teasing him playfully, trying to get him to engage in karaoke renditions of seventies disco hits – he pretending that he disapproves of her attentions.

River sees a car that is clearly under suspicion and they give chase. The pursuit culminates in River following the young male driver into a housing estate and thence to the second floor of a tower block from which the young man jumps to his death.

Cut to River – with Stevie in the background – being chewed out at the scene by his boss. “You can’t bring her back” – she tells him unexpectedly, and as River stalks away and Stevie turns to join him we see that there is a hole the size of a fist in the back of her head! Yes – River sees dead people – in this instance his recently murdered sidekick, whose killer he is now endeavouring to find.

The show proves to be not really a murder mystery at all but rather a deeply moving study of the effects of mental instability on a man under pressure.

The writing – by the annoyingly wonderful Abi Morgan (dammit!) – is really quite exquisite. Morgan has reached the level at which she apparently has no fear and can thus do things at which mere mortal writers will balk. The closing scenes of the finale – six episodes down the line – would certainly have appeared mawkish or clumsy in the hands of a lesser writer. Morgan’s judgement is assured – treading that fine line with élan, remembering that less is always more and leaving us all in floods of tears. As River finally dances with the manifestation of Stevie that only he can see – on the spot at which she was killed – he is interrupted by his new partner, the splendidly lugubrious Ira King (Adeel AKhtar). Ira watches River for a brief moment and then simply says: “Alright?”. Perfect!

The actors to a man (and woman) – knowing a good thing when they see it – rise to the occasion and are uniformly splendid. The entire piece is given air to breathe by director Richard Laxton and allowed to unfold at an appropriately thoughtful pace. All is good.

So – should you already have caught it – congratulations. If not – consider the series recommended.

As a footnote – and I don’t mean to be unduly pessimistic – it seems to me a good idea to grab as many quality offerings from the BBC as possible before politicians of all hues – believing that they know better than anyone else – finally get their long-cherished way and emasculate the corporation entirely…

…and what a piss-poor (pardon my French) ambition that is!