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April 2020

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I have to admit to feeling somewhat guilty. Living in (semi) lock-down is tough – but it is clearly a lot tougher for some folk than for others. Some countries have much tighter restrictions than others to start with – and for those who live in urban environments with little room and limited opportunities to get outside – or for those who live alone in very rural areas and are keenly feeling the isolation… I can offer only my sympathies and support.

Here on the southernmost tip of Vancouver island we have good reason to feel fortunate. BC has done as well as anywhere to keep people safe during the crisis and our caring professionals are – as elsewhere – doing a fantastic job. Up here on the peninsula we live in a very beautiful place and have an abundance of space. We also have each other – which is the ultimate blessing.

I thought I would post some pictures from this neck of the woods. I hope that they give pleasure to some of you. Double-click for the full effect.

Photo by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidThis little chap was outside my bathroom window for a couple of days. With the afternoon sun behind him he threw this silhouette on the frosted glass. I thought I should take his picture. No – I didn’t have a camera with me in the shower. That would just be weird! I fetched one afterwards…

Photo by Andy Dawson Reid

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“Gardening is the slowest of the performing arts.”

Anonymous

Enforced inactivity (courtesy of the social isolation essential to the mitigation of the current pandemic) does have its upside. Sometimes it finally shakes one into commencing some project or other that one should have started years before.

Thus it is with our pond!

Photo by Andy Dawson ReidWhen we purchased our lovely home – nearly five years ago now – we observed that it had in the front garden (yard!) a small raised ornamental pond. As a water feature it distinctly lacked interest and its main function appeared to be to provide a breeding ground for mosquitoes and other biting things. We determined that we would get rid of it.

About a year after we purchased the property I bought a boat – the good ship ‘Dignity‘. In order that we might accommodate her (when not upon the saltchuck) in the driveway next to our house our landscape gardener friend from Saanichton carried out some groundworks to widen the ingress.

We asked him about our pond and he suggested that it should be no problem to demolish. As it happened he had with him his small backhoe loader – the sort of thing once known as a ‘digger’. He took a run at the pond in it and it simply bounced off – without leaving so much as a scratch mark. We decided that more serious firepower would be needed and resolved to temporarily park the problem in the bay marked ‘stuff for the future’.

Photo by Andy Dawson ReidLast year I decided that the future was now with us and that something must be done about the pond. Demolition proving too difficult a task we decided instead to turn the feature into a raised bed. This would mirror other existing such beds in our front garden.

I carefully siphoned the (revolting) water out of our water-feature. The next task was to punch a hole in the bottom of the pond at its lowest point to allow it to drain properly. Since the thing had proved immune to the backhoe the logical thing to do(!) was to attempt the job by hand – with a club hammer and cold chisel. The result – after several months of repeated hammerings – was a gratifying six-inch hole through to the earth below.

Photo by Andy Dawson ReidThus it remained through the winter – until such point as we found ourselves isolated by the pandemic – at which time our thoughts (well, mine anyway) turned to gardening. I quickly discovered that I could order and pay for the necessary materials online. At the allotted time a week or so later a spotty youth in a dump truck approached the house in a gingerly fashion – as though it were a leper colony or somesuch – dumped the contents at the end of the driveway and accelerated away as quickly as possible.

Perfect!

Photo by Andy Dawson ReidIt took but a short hour’s work to fill the bottom of the erstwhile pond with six inches of drain rock and to then top it up with fresh topsoil.

So – now we have a splendid new bed outside our kitchen window. All that remains to do is for us to figure out what to put in it. More on that later.

Photo by Andy Dawson Reid

 

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Those of us of a certain age – and in particular those of us who played in bands ‘back in the day’ – will be familiar with Rob Reiner’s ‘mockumentary’ (the very first of its kind) – “This is Spinal Tap“. It was obligatory in the mid 80s for us to have seen the film (often many times) – to know it sufficiently well that we could quote chunks of it by heart – and to claim that it must somehow have been based on our own band’s experiences (usually completely missing the point that it was a satire… Yup – we took ourselves pretty seriously!).

Now – I must confess that, though I have certainly seen the whole film, I have a feeling that I have not ever done so in one sitting. I also have a feeling that I may not be alone in this. No matter!

Why am I bringing this up now?

Well – though the main characters in the spoof band were played by talented actor/musicians Michael McKean, Christopher Guest and Harry Shearer (who went on to voice a number of key characters in ‘The Simpsons’) – one of the jokes was that Spinal Tap had worked its way through an infeasible number of drummers – most of whom had died in unusual circumstances (two from spontaneous human combustion onstage and one from choking on “someone else’s vomit”). Yet another had died in a “bizarre gardening accident” which was supposedly described by the police afterwards as a mystery “best left unsolved.”

Yes – you’ve guessed it! I was on the InterWebNet looking up unusual gardening accidents. There are – of course – many ways to injure oneself whilst tending to one’s estate (pretentious? moi?) and most of them do not bear thinking about. Some – however – just hurt a lot and make one feel particularly stupid. Such was the minor incident in which I was involved the other day.

I was mowing the lawn – which I am obliged to do with sufficient frequency that I should by now have achieved ‘black-belt’ status in the noble art of grass cutting. I should certainly know well enough what I am about that the following should not have taken place.

I stopped the mower to empty the clipping bag. Having done so I set things up again and gave a vigorous tug on the starter cord. Unfortunately I had not noticed that I was positioned rather too close to the corner of our garden tool-shed (Canadian: shop) and as I jerked my arm back the point of my elbow impacted with the corner of the building.

“Ouch!” (That is – of course – not the word that I used at the time…)

What a numpty!

 

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Photo by Markus Spiske from PexelsWatching the ‘One World Together at Home’ extravaganza on TV the other night somewhat inevitably brought back memories of that particular sunny Saturday back in July 1985 – and of how we all dropped in and out of the TV coverage of Live Aid… on the day that we were going to feed the world.

That unlikely day was not the last time that the music industry tried to save the world. Nor was it the last on which it was both praised and lambasted for so doing. There is for me something genuinely affecting and stirring in our pampered pop princes and princesses getting together to do something selfless for others (the gentle reader will observe that I have exercised my prerogative not to be cynical but instead to believe in only in the highest motives on all parts). In any case – those who are susceptible to being moved will be moved and those who enjoy a good whinge once again get the opportunity to indulge themselves… so everybody’s happy (or not!)…

On this occasion our musical exemplars were not themselves saving the world (this was no fundraiser like Live Aid) but they were, on our behalf, lauding and thanking those who actually are so doing… the essential workers – the wonderful and brave doctors, nurses and other healthcare workers, the shop workers, delivery drivers and cleaners. Strange how so many of these essential workers – who take their lives into their hands to protect and to help others – often receive the most humble of remunerations for so doing, whilst those who are paid as though they actually are essential can choose which of their homes to ‘work’ from. Plus ça change

Aside from the goodness of the cause in either case another reason why Saturday’s broadcast brought to mind those events from thirty five years ago was that we were once again wowed (those of us old enough not to be totally blasé in the face of such ‘magic’) by the technological miracle by which means the events were effected. Back in the mid 80s the notion of having a major live concert running simultaneously in two countries (with feeds from many others) and of (relatively) seamlessly switching from one continent to another – not just on TV but in the stadia themselves – seemed incredible. That the much abused Phil Collins could perform on both stages courtesy of the singular contrivance that was Concorde simply added to the legerdemain.

Now – that concert took several armies of technicians on two continents to pull off and to cover on live TV. Had it not been for Bob Geldof’s legendary bloody-mindedness it would probably not have happened as it did. This week’s event – given the very different circumstances under which it took place – may well have involved a (somewhat smaller) army, but also one which was dispersed, fragmented and sequestered. The technology that was used to pull together eight hours of material from living rooms, gardens and home studios was as impressive in its own very different way as was that used back in 1985 – however much we now take these things for granted. Kudos to the increasingly impressive Lady Gaga for fulfilling the Geldof role on this occasion and for making this all happen.

As on the earlier occasion emotions were played upon, tears were shed and resolutions made. Let us do our damnedest to stick to them.

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“A garden is always a series of losses set against a few triumphs, like life itself.”

May Sarton

This is the third year since I ‘retired’ that I have been teaching during the winter and early spring months. As before my efforts culminate in mid-April and I find myself with time (apparently) on my hands and must needs change gear and find a different rhythm for the weeks and summer months ahead.

It is also – as I have noted before – the time of year during which our garden awakes, stretches itself, yawns and starts to demand attention. There is usually a gap of about a month between the first plangent calls and the point at which I can no longer ignore them and must start to do something about them. There follows an unseemly scramble to catch up and to prepare the garden to receive admiring (hopefully) visitors throughout the bosky summer months.

I must – in short – get busy!

This is – of course – a considerable ‘advantage’ during these times of pandemic. Since I must needs devote much of my time and energy to our verdant (half) acre(s) it matters little to me that we are in social lock-down. The effect is the same either way!

Anyway – here be some images to ‘set the scene’…

Photo by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson Reid

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“The very first Easter taught us this: that life never ends and love never dies.”

Kate McGahan

It is not my normal habit to extend an Easter greeting in these pages. Not everybody observes the festival and it is – of course – a moveable feast. Christmas and Hogmany – for historical and personal reasons – call for a merry little ‘Best wishes and good cheer’ from The Girl and from me, but I tend to draw the line there.

This year is different and calls for special remedies.

The Kickass Canada Girl and the Imperceptible Immigrant – therefore – extend to all who happen upon these scribblings:

A Happy Easter – stay safe and may all our fortunes turn for the better.

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“In the dark times
Will there also be singing?
Yes, there will also be singing.
About the dark times.”

Bertolt Brecht, motto to Svendborg Poems, 1939

This poignant motto appears at the head of the last collection of poems published by Bertolt Brecht during his lifetime. He was by then living in exile from Nazi Germany in the town of Svendborg on the Danish island of Funen.

The ‘dark times’ to which he refers are, of course, considerably darker even than those which afflict us now, but a search on the InterWebNet for uses to which this brief motto has been put reveals a plethora of such instances in recent times – starting with the invasion of Iraq in 2003 and gathering pace since 2016. The latest of which I am aware was by Chris Riddell for his cartoon on the Corona virus lock-down in the UK for last Sunday’s Observer newspaper.

When I first became aware of Normal Lewis’ wartime memoir – through Francesco Patierno’s film, shown on the BBC toward the end of last year – the current COVID-19 crisis did not even feature on the roadmap of impending concerns. Now, of course, contemplation of conflicts still sharp in the living memory has become something of a pastime – or more accurately a ‘pass-time’, since many of us are unable to follow our preferred pursuits and must needs instead find alternative ways to occupy the time that hangs heavy on our hands. It has become quite the thing to compare our current trials and tribulations with those of the generation that lived through the last world war.

There are good reasons for so doing – though even better ones for exercising finer judgement. We do indeed live in unprecedented times. As things stand we have no idea how this is all going to pan out, or into what reality we might emerge on the other side. When we look back we can discern no other period since the last war in which so many people’s lives were simultaneously thrown into chaos by such a crisis – be that through the direct touch of the pandemic itself, or through loss of employment, income or – even worse – of friends and loved-ones.

Writing about my father’s war-time experience in Italy – contemporaneous with that of Norman Lewis – I suggested that he had subsequently spoken very little about his experiences there. My mother would describe how she went outside to watch the vapour trails over south London during the Battle of Britain, but otherwise she likewise gave little away about how the war had affected her and those close to her.

We know – we think we know – from our readings of history, from novels and poetry and from the many film and TV productions concerning the war and its aftermath – just how broken and fragmented was the world in the latter half of the 1940s. Populations had been destroyed or displaced, the greater part of a generation had lost their lives, families and societies had been torn asunder, economies wrecked and great expanses of the old world reduced to piles of rubble. How could the world – the lives – ever be rebuilt?

Yet many of those who lived through that period chose not to – or simply could not – speak thereof… and the world – as it does – moved on.

In this age of instant and incessant ‘communication’ there is perhaps a case for saying rather less and listening – and thinking – rather more…

…and – yes! – I am aware of the contradiction in so writing.

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Inveterate lingerers upon these pages will no doubt recall (quoth he optimistically) my posting back in January of a brace of articles on the subject of the slim volume of wartime memoirs by the British travel writer and novelist – Norman Lewis – that was published in the late 1970s by William Collins and to which my attention had been directed in the closing months of last year by the BBC’s showing of Italian director Francesco Patierno’s impressionistic film that was based upon it.

To save further lengthy sentences containing multiple clauses elucidating the matter, let me save a little time by referring the gentle reader directly to those pieces – which may be effortlessly located here and here.

The articles in question contained the slightly embarrassing admission that I had not, in fact, actually read the book – though I had located a copy online and placed an order. This tome duly arrived shortly after my postings and accompanied us on our jaunt to Mexico back in mid February, where it took but a few days to consume, providing much pause for thought in the process.

The book is fascinating; thought-provoking, disturbing, funny and moving all at the same time. It highlights the chaos and insanity of war and the vivid description that it contains of a society that has been utterly upended and thrown into disarray – in which all human life must struggle to find a way to survive and even ultimately to flourish – offers important perspective and guidance on our own troubled times.

One of the things that struck me most about the book was how contemporary the prose feels. It does not to me give the impression of a piece of writing from the middle of the last century, nor yet of the 1970s when it was actually committed to paper. In my view this makes it even more pertinent today.

Should you wish to know more about the book I earnestly recommend this ‘Re-reading‘ piece from the Guardian back in 2011.

If you have read the second of my earlier postings on the subject you will know that one reason for my interest in the book is that my father was most likely in Naples – and certainly somewhere in that part of Italy – at the same time as was Norman Lewis. Lewis refers repeatedly to the Allied Military Government (AMG) that had been established in Italy subsequent to the landings there. I am pretty certain that my father had some small capacity in that organisation.

The reason that I believe this to be so is that I have seen a number of documents and other items from my father’s time in Italy which bore – as far as my aging memory can recall – the imprint of the AMG.

Why could I not simply check this before commencing this post?

Because said documentary evidence is – as far as I know – apparently irrevocably locked in the desk compartment of my beloved Davenport!

 

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