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2020

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Missing out

November 28, 2020 in Life in BC | Permalink

“You could grow up in the city where history was made and still miss it all.”

Jonathan Lethem – ‘The Fortress of Solitude’

We are – when all is said and done – having a good pandemic!

Now, should the gentle reader take offence at my flippancy (a fair call one might say) consider that – compared to those who have lost loved ones – to those who have themselves been ill – to those who have lost their livelihoods – to those, even, who have had to endure lock-down separated from family or in cramped and unsuitable quarters… we are undoubtedly blessed a thousand times over.

I hope that you will forgive me for wishing that, for us, it will remain that way. I truly wish that all were similarly blessed.

Even so…

It is difficult to look back at the autumns (falls) of previous years without a certain wistfulness adding itself to my habitual autumnal melancholia. Since The Girl and I found our way to these shores more than half a decade ago we have noted that Canadians (well, Victorians certainly) are in the habit of leavening the often dreary run in to the festive season by means of a variety of diversions and entertainments. We have – quite naturally – happily joined in.

Looking back over the past five years of autumnal blog entries I can see that music has featured strongly: Our annual rendezvous with Barney Bentall’s Cariboo Express has become almost a tradition and the season has also featured other regular charity concerts, such as those supported by Victoria’s ‘New Orleans inspired Funk Brouhaha‘ outfit The Hi Fi. The last few years have also seen one or more of us in attendance at gigs by artists such as Simple Minds, Cowboy Junkies and Skerryvore.

Theatre has also featured strongly. The Belfry usually starts its new season in the fall with us in anxious attendance, hoping for signs that this season will be a ‘doozy’ and that – come springtime – we will not be feeling faintly dissatisfied (as we occasionally do) with the fare on offer. Now is also the time of year that Intrepid Theatre normally goes into full-on fund-raising mode, with its annual ‘Merry & Bright‘ event at The Atrium downtown.

Not this year – of course…

I see also from my retrospective perusing that we have on more than one occasion enjoyed a trip to Vancouver during this season – often with some Rugby involvement. We had tickets this year for the Rugby Canada Halloween Event at BC Place in Vancouver which would have featured Canada, the USA, Fiji and an All Black XV. We had even booked our hotel!

We still have on our mantle a slightly sorry stack of tickets for various events – all of which have been postponed and will (hopefully) be rescheduled when it is safe so to do. But for now…

Sigh!!

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A sweeter sound

November 25, 2020 in Flotsam and Jetsam | Permalink

“Recording studios are interesting; a lot of people say – and I agree – that you should have a lot of wood in a recording studio. It gets a kind of a sweeter sound”.

Paul Allen

I find that I am spending a great deal of time in my little studio these days. There is the music – of course; we are very busy trying to get our album finished and out into the world. I also use the studio for my teaching (and the preparation thereof) – which is all done over the Internet at the moment for COVID-19 reasons. To accommodate these multiple tasks the studio has slowly evolved since the days when it was first set up back in 2016 and I posted the first pictures of it to this forum.

This is what it used to look like:

And this is how it is now:

Nice new rug, don’t you think?

Now – you might think that having three screens is simply overkill. When I’m teaching, however, the conferencing/chat software that we use runs on the centre screen – the presentation (or any other resource) that I am teaching from runs on the left one and the third one is used for looking ahead in the materials, for trying things out or checking details in answer to student queries that come up during the class. A lot of multi-tasking goes on! During Lab sessions this third screen runs a remote desktop session on an machine in one of the College’s computer labs so that I can assist any students who are working there.

It is quite a juggling act – and towards the end of term it all gets pretty tiring.

Roll on Christmas, say I…

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Milestone

November 22, 2020 in Flotsam and Jetsam | Permalink

The very lovely Lexus GX470 (which goes by the name of Lorelai) first made its appearance in these posts back in July 2015, when The Girl and I purchased her from a kind soul who lived not far from us here on the Saanich peninsula. She has appeared many times since then in postings, often in the background of photos and usually tirelessly performing one of the many tasks for which she was purchased. I love her to bits and she has been an inspired choice for this part of the world.

When we acquired her she had a little less than 168,000 miles on the clock (miles rather than kilometers because she had originally been registered in Portland, Oregon). Now – that is a reasonably high mileage for many vehicles on the road today – but for the Lexus  (which is basically a Toyota 4Runner with a fancier skin) it counts as next to nothing. If looked after 300,000+ miles should be quite do-able. As she dates from 2003 this means that for the first twelve years of her life she averaged some 14,000 miles a year.

The reason for my posting this now – of course – is that we have just passed a major milestone. We were down in town the other day and when we arrived home the odometer revealed that we had just passed the 200,000 mile mark. The mathematicians amongst you will already have done the calculations: since she came to stay with us the Lexus has done another 32,000 miles in about five years and four months – at an average of just over 6,000 miles a year.

Well – I am supposed to be retired!

Back in the day when I used to commute into London every day in my little city car (Pearl, my much loved Mercedes SL300, only came out of the garage on sunny days) I would regularly clock up around 14,000 miles a year myself and I am absolutely delighted not to have to do that any more.

Now – at the current rate it will take more than another eight years for the Lexus to reach 250,000 miles, by which time she would be twenty five years old and I would be in my middle 70s.

As for 300,000…? Not sure either of us will last that long!

 

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His Master’s Voice

November 19, 2020 in Flotsam and Jetsam | Permalink

My last update on the topic of the new music shortly to appear from Anam Danu (my now two year collaboration with The Chanteuse) hit the streets (ie – appeared on this blog) about a month ago now. We had – at the time – just sent out copies of all of the tracks in our burgeoning collection to a small number of trusted individuals with the request that they give us their unvarnished opinions thereof.

This they duly did – and lessons were learned!

As a result – and after a certain amount of horse-trading – we ended up with a mutually acceptable running order. Final mixes followed rapidly, exported as 24 bit WAV files (that is in decently high quality versions) and the package completed with a guide MP3 file of the whole album with timed inter-track gaps, fades and suchlike. Accompanied by the necessary documentation – band name, album title, track names and numbers, track times and ISRC numbers for each track – everything was transferred to our chosen mastering company (CPS Mastering of Vancouver) and left in the care of the estimable Brock McFarlane.

Now – for those who have no idea what audio mastering entails, Wikipedia has this helpful explanation:

“Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication).

One of the key reasons for getting your mastering done professionally is that – being effected in a suitable acoustically-neutral mastering environment –  the end result can be guaranteed to play successfully on pretty much all systems and in all spaces.

Yesterday we received from CPS the first mastered draft of the whole collection. We must now spend much time listening to it on different devices and in different environments to figure out if anything needs tweaking or whether we are good to go.

Then we just need to wait for album artwork (that’s another story!) and the whole can be dispatched to our chosen digital distributor to be sent to the various streaming/digital music providers – and CDs burned as required.

I will – of course – keep you informed of (inevitably slow) progress…

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So… Rugby!

November 13, 2020 in Flotsam and Jetsam | Permalink

Now – where was I?

Other more pressing matters have been occupying my attention over the past weeks (not necessarily in a good way) and it has been a while since I last posted a comment on the current happenings in the world of rugby.

Some might argue that focusing attention on a sport in these stressful times is the equivalent of sticking one’s fingers in one’s ears and loudly proclaiming “La la la la…!” – to which I reply – “Too right! That’s the whole idea“.

Now then…

Much has happened since my last rugby update. In my 4th October post – ‘Fourth Quarter‘ – the subject of Bath Rugby’s progress (or lack thereof) in the hastily reconvened Premiership was left on a cliff-hanger: they would make it through to the playoffs if the COVID affected game between Sale and Worcester Warriors failed to take place on the following Wednesday. As it turned out that game did not take place and Bath squeaked through to the semi-finals. Unfortunately there they met the eventual champions (of everything this year!) Exeter Chiefs, who proved considerably too much for them. Still – at the start of the season a semi-final slot would have been scarcely thinkable, so this still counts as a good result.

The Six Nations championship had been abandoned back in March with little more than one round left to play. That final round was eventual played on 31st October, with England away in Italy, Ireland away in France and Wales at home to the Scots. All that need be said was that the English did enough against Italy to hit the top of the table and the French win over Ireland in Paris proved close enough that neither side could overtake them.

The key game (for me, anyway) was the doughty performance of the Scots in dreadful conditions in Wales. It wasn’t pretty but the Scots came away with a 14 – 10 win; their first in Wales for eighteen years. This left them fourth in the championship with three wins out of five – and the best defensive record of the tournament! That definitely counts as a win in my book.

By some quirk of TV scheduling we also got to watch the four Bledisloe Cup games between the Aussies and the All Blacks. The latter took the series (again!) but didn’t have things all their own way. What was refreshing was to see rugby played again in front of a crowd. In New Zealand and Australia the pandemic is significantly more under-control than it is in the northern hemisphere.

And now…?

The Autumn Nations Cup! A (possibly) one-off replacement for the usual Autumn internationals – to be competed for by the six nations plus Georgia and Fiji. The tournament is to be played in two pools and would originally have featured Japan before COVID ruled that out and brought Georgia into the mix.

Anyway – it is starting as I write… so further reporting as things progress.

 

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Dis-united

November 11, 2020 in Life as we know it | Permalink

I most heartily wish not to be writing this post!

There are many other positive and interesting topics that I have scribbled on imaginary Post-It notes stuck to my fictional whiteboard… but I can’t concentrate on any of them at the moment because my head is full of anxiety and nervous tension concerning the happenings south of the border. When I look out of my window across the Haro Strait I can see the US of A – and right now that is making me cranky.

I am angry that enough US citizens voted for Trump that there is even the slightest scintilla of doubt that he has lost the election. That is their right and – however misguided I (and many, many others around the world) might believe them to be – I actually have no argument with them and what they have done.

That is not the case when it comes to the other guilty parties.

Let’s not beat about the bush. Trump is a bad person. He is also a particularly dangerous person and certainly not – in a million years – fit to govern what was only recently one of the world’s great super-powers. (Oh – the bitter irony of MAGA – when Trump and his wrecking crew are so ruthlessly dedicated to destroying everything that ever made it great – starting with democracy!). Trump is mendacious – he is a narcissist – he is a fantasist – he is immoral, amoral, totally unscrupulous and no-where near as bright as he thinks he is. Yes – he is also probably ill – at least mentally.

But it is not even he who makes me so angry – since I presume that he does not even have the mental faculty to properly grasp the inevitable outcomes of his actions.

No – the ones that have me worked up into such a righteous fury are the un-speakables in the Republican Party. Many of these people are educated and – notionally at least – intelligent. They know what they are doing. They also know that the election is lost and that we are entering uncharted waters. They should be acting in a responsible manner and doing their damnedest to protect American democracy.

They are not. They are taking a wild risk on the inevitable destruction opening up certain financial and political opportunities for those who are in the right place at the right time – much in the way that the loathsome tories are doing with Brexit in the UK. (Johnson watches anxiously across the pond at his role model, scared that events in the US will reveal – like the writing on the wall – his own eventual and gruesome fate).

Enough! I imagine that much of the rest of the world would join me in wishing most heartily that this were all over and that those responsible were banished – Napoleon-like – to some god-forsaken rock in the south Atlantic.

 

Next time – Rugby!

 

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Finally…

November 7, 2020 in Life as we know it | Permalink

…and breathe!

 

 

 

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Sir Thomas Sean Connery

November 1, 2020 in Life as we know it | Permalink

Sean Connery

1930 – 2020

RIP


Image by <a href="https://pixabay.com/users/skeeze-272447/?utm_source=link-attribution&amp;utm_medium=referral&amp;utm_campaign=image&amp;utm_content=394756">skeeze</a> from <a href="https://pixabay.com/?utm_source=link-attribution&amp;utm_medium=referral&amp;utm_campaign=image&amp;utm_content=394756">Pixabay</a>There is very little that can be said in addition to all that has been and will be printed on the subject of the sad passing of Sir Sean Connery. To those of us who grew up in the 1960’s he was an icon – a legend – a larger than life character who somehow managed to encapsulate the dreams and ambitions of that age… almost certainly without any intention of so doing.

There will be many lists of favourite or best performances: my two top Connery films – “The Man Who Would be King” (an incomparable pairing with Michael Caine) and – unsurprisingly – “Goldfinger”.

In later life even a minor cameo in some otherwise mediocre picture would almost inevitably imbue the project with an added sheen, a sparkle that it might not otherwise have deserved at all. And should you think this mere hyperbole – well, you may be right – but there was a world in which Sean Connery was alive… and now there is not.

A sad day…

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We dreamed it

October 27, 2020 in Flotsam and Jetsam, Photos | Permalink

“I painted it because I dreamed it
because we all dreamed it”

Marie Burdett, The Little Boy and the Painter

I promised some before and after images of the exterior decoration of our lovely house.

Ta-dah!…

Here are some before and after shots (double-click to enlarge):

Photo by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidThe stucco colour is still light – we want the house to stay cool in summer – but the colours are much warmer. The woodwork at the front was previously stained but is now a fetching shade of ‘Stonehenge Greige’ (don’t ask – but it’s all the rage!).

More ‘after’ shots:

Photo by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson Reid

 

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Out for review

October 22, 2020 in Flotsam and Jetsam | Permalink

“My congratulations to you, sir. Your manuscript is both good and original; but the part that is good is not original, and the part that is original is not good.”

Samuel Johnson

In my post to this journal of July 17th – ‘Closer than you think‘ – I described how the Chanteuse and I had contrived – in spite of all difficulties arising from the COVID-19 pandemic lock-down – to start remotely recording her vocals onto a set of ten tracks that I had prepared – and which we hoped to turn into a new Anam Danu album in due course.

My last update on the matter came at the end of a post of August 25th entitled ‘Busy, busy, busy‘ – the which was primarily (unsurprisingly) concerned with just how busy we were… it being ‘that time of year’!

Well – these things do indeed take time – but I feel that an update is due.

We have finished recording the vocals and the tracks are essentially complete. That does not mean that they are ready to be sent out into the world. I have been doing much in the way of post-processing and making initial and intermediate mixes. The next stage is to finalise the mixes, to decide on the sequencing and to send the tracks off to a professional Mastering Engineer to get them ‘mastered’ ready for submission to whichever online distribution company we choose to go with. Much more on that stage of the process later.

There is – however – one more thing to be done before we send our tracks for mastering… and that is to get feedback on them from some trusted and interested parties. That is where we are at right now – and I can tell you that it is a nerve-racking process. Having spent many months in very close proximity to these creations as they have evolved we must now stand back from them and ask others to give us – in their own time – their opinions on our endeavours.

Not much makes me nervous. This – however – does!

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