‘Euphoria’ – first reactions

I posted the following today on the Anam Danu website – for those who like to keep up with such things:

Since ‘Euphoria’ hit the digital download and streaming sites a great deal has been going on. The album received its first – and very positive – review on the well respected Music Review World blog. You can find the whole review here – but here are some tasters:

“Every once in a while, in the world of music, you will come across an act that defies all of your current assumptions and thoughts about the flow of today’s music. They will blow you away, for good or for worse, in their own interpretation of what makes art ‘art’ itself. In today’s review, the act that’ll shatter your own preconceived notions shall grace you with a tapestry of music that I frankly have not heard synthesized in this manner before.”

“The whole album is quite strange to comprehend, because it captures the zeitgeist of a lost art scene and musical sensibility very well in this day and age without compromising any ounce of authenticity.”

“It is also very warm and polished in its execution, making me wonder if this was the missing soundtrack to a revivalist 80s/90s heartfelt movie.”

“The two vocalists’ voices also bear a very interesting contrast, as they possess very different vocal ranges and tone too. It’s an interesting mix of voices, that venture from determined to even slight Irish inflections at times.”

“Score/Excellent: Anam Danu returns with their newest release, titled ‘Euphoria’- an album sure to provide you with Euphoria. It is filled to the brim with serenity and character all in one, within a dynamic musical soundscape that stays true to its thematic origins and intent.

In further interesting developments tracks from the album have received a number of plays on Campus Radio stations across Canada and even a couple in the US. Some of these plays came about as a result of Anam Danu having signed up to Earshot.Distro – the digital distribution service set up specifically to help Canadian stations to source new Canadian music. Other plays, however, came about as a result of the radio presenters’ admirable diligence in seeking new material.  I asked Johnathan Whitehorn at Western Radio how they came to play ‘Plant a Seed (and Watch it Grow)’ and he told me:

“I go through new Canadian releases on Bandcamp every 3 days. Around 300-600 releases. A few stick out. Like yours.”