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Flotsam and Jetsam

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There are cultures in which age, experience and seniority are acknowledged and valued. The elders of such societies are, by and large, respected and taken seriously; their advice being much sought after and their wisdom cherished.

In other cultures old geezers are regarded as merely being a nuisance and a ball and chain upon the ankles of the coming generations. These older folk are – often as not – the butt of all manner of jokes, particularly as they grow older and become more forgetful.

Who hasn’t fallen about laughing at the old codger who can’t find his (or her) glasses – only to to be informed by the mocking youths that he (or she) is actually wearing same upon his (or her) head!

Laugh? I nearly didn’t!

So – a few weeks back The Girl and I both had our own experiences of this phenomenon.

One day The Girl could not find her glasses – in spite of having just recently been using them. I helped her to look for them, carefully minimizing the application of such unhelpful queries as “Where did you last have them?“. We looked everywhere – particularly around our drawing room, where she was sure that she had recently been using them. Her glasses were nowhere to be seen… just mine – sitting on one of our coffee tables.

It was I that found them. They were perched on top of my head! I had picked her glasses up, mistaking them for mine – and put them straight onto my head.

No chuckling there at the back, there…!

Scarcely a couple of days later I couldn’t find my glasses – just as I was about to drive into College to lead a class. I could have sworn that I had been using them just a few moments before, but upon preparing to leave I could not find them anywhere. I searched all the obvious places three times, before breaking out a spare pair and heading off to work. When I returned from college and started to disrobe – the glasses – to my surprise – suddenly fell to the floor.

What happened was this… I was wearing a hooded sweat shirt. When I put on the sleeveless jacket that I often wear outside these days, I flipped up the hood to accommodate it. The glasses had clearly been on the top of my head already and when I lowered the hood again the glasses went with it. They had been with me all of the time in College – tucked into the hood. When I reversed the procedure upon returning home they fell out at the appropriate point.

Well – even I had to laugh at this…

Getting older – eh? What’s that all about?

 

 

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I posted the following today on the Anam Danu website – for those who like to keep up with such things:

Photo by Andy Dawson Reid
Since ‘Euphoria’ hit the digital download and streaming sites a great deal has been going on. The album received its first – and very positive – review on the well respected Music Review World blog. You can find the whole review here – but here are some tasters:

“Every once in a while, in the world of music, you will come across an act that defies all of your current assumptions and thoughts about the flow of today’s music. They will blow you away, for good or for worse, in their own interpretation of what makes art ‘art’ itself. In today’s review, the act that’ll shatter your own preconceived notions shall grace you with a tapestry of music that I frankly have not heard synthesized in this manner before.”

“The whole album is quite strange to comprehend, because it captures the zeitgeist of a lost art scene and musical sensibility very well in this day and age without compromising any ounce of authenticity.”

“It is also very warm and polished in its execution, making me wonder if this was the missing soundtrack to a revivalist 80s/90s heartfelt movie.”

“The two vocalists’ voices also bear a very interesting contrast, as they possess very different vocal ranges and tone too. It’s an interesting mix of voices, that venture from determined to even slight Irish inflections at times.”

“Score/Excellent: Anam Danu returns with their newest release, titled ‘Euphoria’- an album sure to provide you with Euphoria. It is filled to the brim with serenity and character all in one, within a dynamic musical soundscape that stays true to its thematic origins and intent.

In further interesting developments tracks from the album have received a number of plays on Campus Radio stations across Canada and even a couple in the US. Some of these plays came about as a result of Anam Danu having signed up to Earshot.Distro – the digital distribution service set up specifically to help Canadian stations to source new Canadian music. Other plays, however, came about as a result of the radio presenters’ admirable diligence in seeking new material.  I asked Johnathan Whitehorn at Western Radio how they came to play ‘Plant a Seed (and Watch it Grow)’ and he told me:

“I go through new Canadian releases on Bandcamp every 3 days. Around 300-600 releases. A few stick out. Like yours.”

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We have arrived at the time of year that most self-respecting Canadians are putting the finishing touches to their Christmas decorations (mostly public-facing… unlike us shy and retiring Brits) and settling in to await the feast itself. Mind you, some of our neighbours started constructing their displays the very moment that they had packed away the last of the Halloween decorations; I guess on the principle that the show must… you know… go on!

The Girl nobly puts up with my seasonal cavils and my demands that nothing Christmas related should be addressed before the first of December (with the honourable exception, for obvious reasons, of the purchase of the Advent calendar – for those who go in for such things).

Now, once December is here, the first Christmas related item on my agenda is usually the sending of Christmas cards, the which (given that a fair number of them are headed for Blighty) must needs be tackled as soon as possible after the turn of the month if they are to stand a chance of arriving in time for the big day.

…and that is, of course, where Mr Sod and his eponymous law – comes into play.

Yup! The postal workers at Canada Post went on strike some  three weeks ago now and currently show no signs of backing down from their demands.

So – here’s the quandary. If we set about writing, addressing and posting our greetings there is a very good chance that (assuming we can actually post them at all) they will simply join the gazillions of already posted screeds – none of which is likely to make it through until Easter – or thereabouts.

Now, the strike could be resolved at any second, of course, but the worry is that it is already too late to make a difference as far as Christmas is concerned. Should we be wise virgins we should probably resort immediately to online cardage this year – whilst being cognisant of the fact that a number of folks whose addresses we have are an unknown quantity in the online arena.

I guess we just have to do the best we can.

Of course, this all takes no account of those operating in the opposite direction. Since many such will have no idea that Canada Post in on strike they will simply and happily post their festive greetings, unaware that they these will probably simply be tossed onto some huge card mountain – never to be seen again.

What to do? What to do? How will we make it through in the face of all these first-world problems?

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Original image from <a href="https://www.rawpixel.com/search/carol%20m.%20highsmith?sort=curated&amp;page=1">Carol M. Highsmith</a>’s America, Library of Congress collection. Digitally enhanced by rawpixel.This post has been a few weeks coming.

The recent period has proved emotionally tough for many of us – for reasons that will be obvious to all – and the thought of getting down to compose this difficult and bittersweet missive has caused me to succumb to procrastination. It is, however, something that I really do want to do – so here goes:

Back in the autumn of 2015 – the year that The Girl and I moved to Canada – we attended a musical event at a venue in downtown Victoria. This occurrence was particularly notable for three reasons: First: we had not seen (or heard) this particular musical combination before –  though The Girl was already familiar with the work of some of the constituent members. Second: we made a good friend that evening with whom we still  enjoy getting together nearly a decade on.

Third: I made no reference at all to the event within the pages of this online journal!

Well!”… you may say. “That is hardly surprising. You had, after all, just moved into your new home and there was much else about which to write“.

That may be true – but should be set against the fact that since then we have attended what was actually an annual charitable music event every single year – and on each occasion I have recorded the event in this blog (sometimes more than once!). This I have done because we so loved the evenings – the which have acted throughout as a joyous starting gun for the run in to the Christmas season.

I refer – of course – to the magnificent Barney Bentall’s Cariboo Express – concerning which I have waxed lyrical on many an occasion.

This year’s four night stint at the Mary Winspear in Sidney by the Sea took place just a few weeks back – and once again our hearts were filled with strong emotions.

But, hang on” … you cry. “You made mention of ‘bittersweet. What’s up?

Well – The Girl and I may have boarded the Cariboo Express annually for the last nine years, but Barney and his clan have been touring this charitable show every autumn for the last twenty years. They have somewhat reluctantly decided that – owing to ill heath and other complexities – this should be the final tour. To say that this breaks our hearts a little is no exaggeration. Tears were shed on the night that we attended and – I am sure – in equal measure at the other shows also.

We are really going to miss this beloved event and shout out a grateful “Thank you” to all those who have brought us such joy and pleasure over the years. You will all be missed.

I would feel moved to quote Joni Mitchell:

Don’t it always seem to go
That you don’t know what you’ve got ’til it’s gone

…except that – in this case – I think we did know!

 

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Quincy Jones

1933 – 2024

RIP

"This work" by David Shankbone is in the Public Domain, CC0Quite possibly the greatest and most gifted record producer of the age.

Definitely irreplaceable…

From the many, many obituaries and retrospectives published since his passing, this piece from the Guardian seems to me to illustrate best the sheer breadth and depth of Quincy’s talent.

Rest in peace.

 

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This news item appeared recently on the Anam Danu website:

Siobhan and Andy of Anam Danu have written, recorded, and self-released three original albums over the past five years.  Back in 2023, they decided to focus on growing their creative partnership.  They enjoy being in the studio, but like many musicians, they know that performing live is the true test of their music.

They realized that the music they create as a duo often needs more musicians to perform it live.  Over the last year and a half, they searched for other artists who could help bring their ambitious work to life.  In late 2023, they met Adrienne Dyer, whose beautiful soprano voice added a powerful element to their music.  Together they started to create fresh tracks for a new album.  

Euphoria explores what it means to be a mature adult in today’ s challenging times.  It includes songs about storytelling and creativity, the value of long-term friendships, teaching and learning, the search for our roots, and the important choices we make as we grow older.

Most importantly, it highlights the need for joy.

Siobhan, Adrienne and Andy are particularly grateful to Mairéad for her gorgeous and striking cover art, which encapsulates the essence of the album perfectly.

Euphoria” will be available for streaming and download from November 22nd. 

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I posted this update on progress towards the release of the new Anam Danu album – ‘Euphoria‘ – on the Anam Danu website. For completeness I thought I would reproduce it here:

 

Progress continues toward the release of the new Anam Danu album – ‘Euphoria’.

The ten chosen tracks have been polished and given final mixes and the whole sent off to our mastering studio of choice – CPS Mastering in Vancouver. Brock McFarlane (who has mastered all of the Anam Danu albums thus far) has now sent us the first mastered copies and we are in the process of listening intensely in as many environments as we can – preparatory to signing off the album and sending it to our distributors and CD manufacturer.

We also now have the cover art for the release. Those who have followed Anam Danu’s exploits will know that we like to commission local artists to create the cover for each release. In this case the wonderful artwork that can be seen on this page is by Alberta artist – Mairéad – who has, in our view, captured the intent of the album perfectly.

Of Mairéad Siobhan writes:

“Mairéad is a multidisciplinary artist and designer based in Alberta, Canada.  She expresses her art in paint and textiles.  As a visual artist, she creates vibrant multi-media paintings and collage.  Her love of detail, color and texture is evident in her one-of-a-kind unisex handbags, backpacks and wallets.  She is an expert knitter whose cable-knit outerwear is beautiful and expertly made.   Mairéad creates custom dog sweaters and jackets that are both stylish and playful.  She is passionate about interior design and customizes existing pieces through upholstery, refinishing and fabric furnishings”.

 

Not long to wait now! I will post the release dates for ‘Euphoria’ just as soon as they have been confirmed.

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No – this blog post is not about my shiny new computer – the which is humming away gently to itself whilst solving complex problems with one hand tied behind its back! In that department things are currently going well (though there is, of course, still plenty of opportunity for everything to go t*ts up!).

This is about a couple of other technology failures which caused one of us (The Girl) considerable inconvenience, and cost the other (me!) a packet of money.

Those who know me well – or who have hung around these pages long enough – will know that I drive a black Lexus SUV (a GX470). This splendid vehicle was no spring chicken when we purchased it shortly after our arrival in Canada. It dates from 2003 and is now, of course, getting on for a decade older than it was when we acquired it.

Now – I love the thing to bits and it has served me very well for a relatively modest outlay – helped by the fact that I don’t put that much mileage on it these days. Even so sometimes things do go wrong with it – and a little while back it started exhibiting a whining noise that had not featured before. I figured that I had better take it to our friendly local garage and get them to take a look.

I had to go downtown anyway a couple of days later, so I though I would stop by on the way back. As I drove cautiously back up the Pat Bay highway the whining noise was suddenly joined by an entire son et lumière of flashing warning lights. This did not look good. I had to queue for a while to turn left in the middle of the ongoing construction on the highway and had visions of the Lexus phuttering out on me – the which would have caused no end of problems at that particular spot.

Mercifully it kept going and I was able to pull into the garage forecourt. I turned everything off and went to find ‘the guy‘. When we came back to start the vehicle so that I could to demonstrate the issue there was no sign of life at all – not a click, not a whine, not even a grinding noise… nothing!

Oh well – if the thing is going to break down completely the forecourt of a garage is not a bad place for that to happen.

Apparently the battery had failed spectacularly (a dead open short) and the alternator (in trying to charge it) had burned itself out. Fortunately we were going away for a couple of days so it mattered not that the car was out of action until we returned.

Just before we left on our short trip (more on this later) The Girl was summoned on our return, to Kamloops (and beyond) – for her work. This would mean that after we got home on the Sunday she would fly out again on the Monday evening. Flying is routinely such a pain these days that the subsequent news during the day on Monday of delayed flights and suchlike did not come as a surprise. The Girl made it to Vancouver and then had to wait for a considerable time for her onward flight to Kamloops.

When it finally boarded it was already quite late. The plane taxied out to the runway, waited its turn and then lined up for takeoff. Throttles open and the turbojet surged down the tarmac…

…only for the pilot to abort the takeoff half way down! Now this sort of thing is definitely bad news! After returning to the gate and spending a lengthy period being assaulted by out-of-control kids and the sweltering heat (and having nothing to watch except the mechanics scratching their heads) the airline bowed to the inevitable and cancelled the flight. Cheap hotel rooms for all concerned and up early the next morning for another attempt.

Guess who was not impressed…!

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The real problem is not whether machines think but whether men do”.

B. F. Skinner

Before I retired from The School back in the UK I persuaded one of my chaps there to build me a new computer for my studio. For those readers unfamiliar with such things, modern digital studios are based entirely on the computer, which not only handles all of the recording and editing tasks, but which can also (by means of samples and virtual instruments and processors and so forth) generate orchestras on demand… apparently out of thin air!

As the techniques required for such feats become more complex and sophisticated over time, so the processing power required to effect them increases. At the same time, any computer that has been in use solidly for a considerable period (more than a decade in the case of my studio machine) tends to become increasingly prone to failure – the which could result in the loss of precious and irreplaceable creations.

The long and the short of all this is that the time has finally come for me to replace my studio computer.

No big deal – you might think – but there are serious implications in so doing. My machine is used primarily for the creation of music – but also for my online teaching at the College. As indicated in my last posting Anam Danu is currently in the process of finalising a new album. The fall term – one of the two in which I teach – starts at the beginning of September. There is a relatively brief window in which to get everything working correctly.

Replacing a computer is not – in this case – a simple matter of buying a new device, plugging it in and firing it up. My musical pursuits require the use of a considerable number of musical applications, virtual instruments, sample libraries, software appliances and suchlike. All of these need to be installed on the new machine and all of the musical and other data that now virtually fill my old machine must be transferred to the new beast.

These are definitely non-trivial tasks and there are many potential pitfalls along the way which might cause important functions not to work correctly. These must all be patiently trouble-shot until everything is as it was before – but considerably faster and with storage capacity for much new creation over the coming decades.

You might get a sense from this brief discourse as to why I have repeatedly put off effecting this transfer over the past couple of years. I have – however – now reached the point of no return and all must be completed and tested in the shortest of orders if disaster is not to ensue.

Fingers firmly crossed!

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I normally restrain myself from posting too much to this forum on the subject of my musical endeavours with Anam Danu – out of deference for those who have no interest in such matters. However, there has already been much activity this year and it felt to me that an update was probably a little overdue.

I posted this item to the news feed on our website at anamdanu.com:

 

The recent lack of activity on this news feed should not be interpreted as a sign that nothing is happening. Anam Danu have been busy behind the scenes; with results that are already becoming apparent.

A quick glance around will reveal that the website itself has undergone a considerable face-lift. We like to think that it is now fresher, cleaner and somewhat easier to navigate. Do let us know what you think.

You will also observe that we three have recently done something that we had studiously avoided doing for the past four years – to wit: participating in a photo shoot. Such things do not come naturally to any of us, but we hope that you find the results helpful in gaining a clearer picture of who we are.

In our last news update – which revealed the arrival of our new member, vocalist Adrienne Dyer – we also announced that work was well underway on our fourth album, with an intended release date later in 2024.

Well – we are still on target for that release, having written and recorded ten tracks for the album. We are currently mixing and sequencing them, following which they will be sent for mastering. Cover artwork has been commissioned and the pace is picking up.

If you would like to be notified when the new album becomes available – which for subscribers will be in advance of the general release date – subscribe to the Anam Danu newsletter by using the link below.

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