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Flotsam and Jetsam

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In complete contrast to the experience described in my last post – “Every exit“…

Regular ingesters of these random(ish) gobbets will no doubt feel completely familiar by now with Barney Bentall’s Cariboo Express – that charitable roadshow of assorted musicians and other performers that makes a three night pitstop at the Mary Winspear Centre in Sidney each November – raising much needed cash for the Sidney Lions Food Bank. We have been in Canada for over seven years now… we have traveled on the Cariboo Express at least six times since we arrived… I have written posts about it at least five times!

I was not intending to pen another post this year, in the wake of our annual pilgrimage a couple of weeks back. I thought that I had pretty much covered the subject in previous years and the last thing I would want to do is to bore you – the gentle reader…

However…

…each time we surrender ourselves to the oncoming Express – regardless of how tired we may be or how weighed down we are with the burden of the world’s (and our own) problems upon our shoulders – a couple of hours spent in the company of this exuberant assemblage of musicians of all ages… and we find ourselves once again rejuvenated by the spirit of bonhomie and love.

In short – the music and dancing weaves its magic spell and we are once again recharged with a joyous zest for life and all that is good about it.

Those who know me well would never have expected me to be so taken with this particular genre of music (sort of country-ish) and yet I take great delight each year in attending the show and having my faith in live music emphatically restored.

It helps, of course, that the Cariboo Express crew so clearly love doing the whole tour themselves. The ensemble seems to grow larger each year. This time round the cavalcade winding its way around BC comprised some nineteen performers who – at various points – assembled together on the Charlie White Theatre stage.

Good thing it is a particularly wide stage!

To Barney and to the whole crew – thank you again for this year’s fabulous show. See you next year!

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We do on stage things that are supposed to happen off. Which is a kind of integrity, if you look on every exit as being an entrance somewhere else.”

Tom Stoppard, ‘Rosencrantz and Guildenstern Are Dead’

This weekend just passed The Girl and I finally got to see a play again at The Belfry here in Victoria (for the previous failed attempts – see here).

Actually – that should more accurately be: ‘Half a play’!…

Oh dear!

In all of my (and latterly, our) many years of theatre going I can count the number of performances out of which I have walked on the fingers of one hand… and still have had spares! It is not something that I like to do and nor is it something that I feel comfortable about doing. As a thespist myself I think it is jolly bad form to give up on any creative performance at the interval (it is no co-incidence that a fair amount of theatre for and by young people has no interval – thus reducing the opportunity for audience members so to do).

I have very occasionally ducked out of a school production – usually because the whole thing has been a huge error of judgement on somebody’s part and well beyond the capabilities of those involved. I have equally occasionally removed myself from adult (and professional) productions when the piece itself has turned out to be deeply disappointing – though this has happened but extremely rarely.

In this case we found ourselves at a loss to know what to make of the play – which is an even more rare occurrence. I would feel guilty that we had not prepared ourselves adequately in advance to know what we might expect, except that our frantic visits to the InterWebNet at the interval did not really turn up any rationale for boycotting the piece.

I am not going to name the play – or the author (though he is Canadian). It is not a new play; having been around for several decades. Previous reviews from elsewhere in the world seemed reasonable. The work is billed as a Black Comedy, though it seemed to us to lack a basic requirement of a comedy – namely the delivery of laughter. The first act seemed to me to essentially consist of the same ‘humourous’ twist repeated over and over.

We found it impossible to empathise with, or to believe in, either of the characters presented to us, or indeed with their situation. Even once we realised that the second act must contain some sort of plot/character twist that would somehow justify the inertia of the first act – we did not feel that the piece (or the characters involved in it) had done anywhere near enough to have earned our continued engagement.

We thus absented ourselves for the second half, went across the road for a coffee and struck up a fascinating conversation with someone whom we had not previously met…

Much more entertaining!

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Doddie Weir
1970 – 2022
RIP


Very sad to report that the much loved Scottish and British and Irish Lions lock forward, Doddie Weir, passed away at the end of last week at the age of 52. Doddie was a fixture in the Scottish squad at around the time that Rugby turned professional in the 1990s and was a fan-favourite with the Murrayfield crowd. He turned out sixty one times for his country, played for the Barbarians six times and went on the 1997 British and Irish Lions tour to South Africa.

Weir is known just as much, however, for the time after his retirement from the game. It was announced in 2017 that he had been diagnosed with Motor Neurone Disease (MND), with the prediction that he would be unable to walk within a year. Instead of sitting back to await the inevitable Weir threw himself into campaigning and fundraising to help find a cure for MND, setting up the “My Name’5 Doddie” foundation which had, by June 2022, raised in excess of £8 million.

The “My Name’5 Doddie” foundation website obituary includes the following:

“Since making his condition known, Doddie has championed the campaign for more to be done for sufferers of the disease, both in terms of finding a possible cure, and with the treatment and welfare of patients and their carers.

Doddie’s work over the past five years saw him recognised with several honours and accolades, including an OBE, presented by Queen Elizabeth II for his services to rugby, MND research and the Borders community. He also collected Honorary Doctorates from both Glasgow Caledonian and Abertay Universities, as well as becoming a recipient of the prestigious Edinburgh Award. Within sport, a trophy named after him is now contested between Scotland and Wales, and he became recipient of the Helen Rollason Award at the BBC Sports Personality of the Year ceremony in 2019.

He also became a best-selling and nominated author, oversaw the design of his own distinctive tartan, and was captured on canvas by artist Gerard Burns, the painting now hung in the National Portrait Gallery in Edinburgh.”

A giant of a man in every sense and a Rugby legend, Doddie Weir will be sadly missed.

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…surely some mistake! How could such a thing be possible?

It has been sometime since I last mentioned the noble game of Rugby Union within these scribblings. ‘Too long!‘ – I hear you cry – and you are absolutely correct; a great deal has been going on in the sport and I am remiss not to have made mention of at least some of it.

The Girl and I have been greatly enjoying the Women’s Rugby World Cup – the which is about to arrive at its climax down in the Land of the Long White Cloud. The standard has been exhilaratingly high and the matches have for the most part been gratifyingly exciting. It also helps that the time difference means that live coverage (thanks TSN!) has been primarily in the evenings here in the Pacific Northwest. Jolly good show.

We found ourselves in something of a quandary with regard to our support last weekend when England went up against Canada in the first of the semi-finals. The winner would face either France or the hosts – the Black Ferns – in next weekend’s final and all four sides were in with a very good shout. Canada put up a terrific performance against the Old Country and pushed them to the last – losing only narrowly… though – it has to be said – not as narrowly as New Zealand, who won at the last gasp by a single point.

The mouth-watering final thus pits the Red Roses (currently ranked no: 1 in the world and on an unprecedented winning run of 30 victories) against the Black Ferns (current World Champions).

We can’t wait!

Where the rugby surfeit comes in is that the Men’s Autumn Internationals are now also under way. Since they are not being shown on the BBC this year (boo!) we have had to subscribe to DAZN to see any coverage. Having paid up we are determined to get value for money – and the schedule last weekend made that possible.

Having watched the Women’s World Cup semi finals on Friday evening – through to 1:30am PST – I was back in action for the second half of the Scotland/Fiji game (Scotland took a somewhat unconvincing win) which started at 6:15am on the Saturday. This was followed by Wales/All Blacks at 8:15 (back to school for Wales) – Ireland/South Africa (yet another famous win for the Irish) at 10:30 and France/Australia (the French – but again by a single point) at 1:00pm.

That’s a lot of rugby in 24 hours!

I didn’t have the energy to watch the England/Argentina game on Sunday (again at 6:15am!) and it sounds as though the England side felt much the same way.

I should also mention the English Premiership. Sad to see both Worcester and Wasps forced into administration and relegated this season. I feel sure that both will be back where they belong, though there are clearly financial questions to be answered across the whole of the Premiership. Rugby Union only relatively recently joined the ranks of professional sports and there is still much to be done to make things work reliably.

On the other hand, Bath Rugby (our team!) having been terrible last season (finishing bottom!) have now won a couple of games on the trot. I do so hope that this is the start of a major turnaround.

 

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…no – not actually!

So – a couple (or more) of posts back I mentioned that we had finally plucked up the courage to return to the theatre here in Victoria for the first time since the start of the pandemic. On the very day of The Girl’s birthday we had tickets booked once again for a matinee at The Belfry.

I further mentioned in that post that we had had a phone call from the theatre – on the morning of the performance – informing us regretfully that as a result of an unspecified illness (not Covid – or so they said) that day’s performance would be cancelled.

After a little too-ing and fro-ing we managed to get our tickets rebooked for the following weekend and on the anointed day duly trundled our way into town to see the show.

We eschewed the refreshments in the foyer cafe – eager to keep our masks firmly on – and took our seats for the performance. A short while after the stated start time the Front of House manager appeared to make an announcement. There would be a short delay – she declared – because of a technical issue. We were welcome to retreat back to the foyer for ten to fifteen minutes whilst things were sorted out.

Ten to fifteen minutes later we were back in our seats and hoping to see the house lights go down.

Instead we were again treated to the presence of the Front of House manager. This time she admitted that there was yet again an unspecified illness (again – not Covid related, supposedly) and the show would not be able to go ahead. Ticket refunds through the box office etc, etc…

Well! This was – frankly – bizarre. I have never before – in all my years of theatre-going – been bumped out of a theatre after the advertised curtain-up time. It would have been nice to have received a proper explanation.

Sadly, we really wanted to see that show but were unable to get tickets for any of the subsequent performances since they were all already sold out.

Hmmm!

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“London is a riddle, Paris is an explanation.”

G.K. Chesterton

High time to put to bed – once and for all – the trickle of images that I have been slowly posting of our trip across the pond back in July.

On our last full day in Paris we visited the Musée de Montmartre, the which is located – as you might expect – in Montmartre, a little to the north of the Basilica of the Sacré-Cœur. The museum was founded in 1960 and was classified as a “Museum of France” in 2003. The buildings in which it is housed were formerly the home of several famous artists, including Pierre-Auguste Renoir and Suzanne Valadon.

Here are some photographs of our day:

Photo by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson Reid

In the late 19th century, the lower section of Montmartre was home to many cabarets, such as le Chat Noir, le Lapin Agile and le Moulin Rouge. Many posters, stage designs and the reknown Shadow Theatre at le Chat Noir were created by the artists who lived in this Bohemian quarter of the city.

Photo by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson Reid

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I have been completely remiss in leaving unfinished my posting of images from our wanderings abroad during the summer – for which I heartily apologise. I shall remedy immediately…

Whilst in Paris we took a day trip to Fontainebleau to visit the Château, a residence for French monarchs from Louis VII to Napoleon III. Neither I nor The Girl had previously visited Fontainebleau but – given that I have a long-standing interest with Bonaparte – we were both very pleased to be able to rectify that situation. The palace is spectacular!

Anyway – here be pictures:

Photo by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson Reid

 

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“Paris is always a good idea.”

Audrey Hepburn

Though it seems a long time ago now our trip to Europe back in July culminated in a few busy days in Paris, soaking up the culture and – as it turns out – catching COVID! These last few travel related posts will showcase some photos of the “City of Light” – starting with a miscellany of odd images…

Enjoy!

Photo by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson Reid
We celebrated our anniversary a few days early (it is on the last day of July) so that we had an excuse to sample another Michelin-starred Parisian restaurant; in this case the very wonderful Maison Rostang – billed on their website as “a mythical place”. Who are we to argue?!

Photo by Andy Dawson Reid

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Those who have been tuning in to these ‘broadcasts’ for any length of time will doubtless be familiar with certain themes that re-surface time and again with the regularity of the phases of the moon. One such is that of the writer’s (and his delightful spouse’s) state of engagement; to be specific, how busy we find ourselves at any given moment.

A quick glance through the archives shows that ‘state of busyness’ messages are posted pretty regularly and especially at two times of the year – just as August fades into September and the Fall – and then, slightly more desperately, as Christmas approaches.

This is in part, of course, due to our ongoing connections with the world of education. After the indolence of the summer months (should they indeed prove so to have been) the commencement of the new academic year and the return to a fresh term can be quite a shock. Trust me – it doesn’t get any easier the longer that one has been doing it.

So – the term has begun, I have a fresh faced group of students and I have been rushing around getting everything ready for the fray. Come Christmas-time I have no doubt that I will once again be running on fumes and anticipating complete collapse just as soon as the term has ended.

The Girl’s employ is not related to education but, for some reason, this seems to be a busy period for her as well. The end result is that we both feel somewhat weary. An element of this malaise arises from our having used up a considerable fund of energy (though delightfully so) on our our foreign travels during July and – of course – in fighting off the nasty bout of COVID that we picked in the process.

Once home again at the start of August we struggled to recharge the batteries in time for the launch of the new Anam Danu album – ‘Soul Making‘. Having been restricted by the pandemic lock-down at the time of our previous album release (‘Winter Blue and Evergreen‘) to merely raising a glass during a Zoom call we wanted to celebrate properly this time. It was decided that we should have a small reception, inviting close friends and supporters to help us with the festivities.

The Girl volunteered bravely and selflessly as prime organiser and she and the Chanteuse and I – with gratefully received assistance from old and dear friends – put together a rather splendid little shindig (if we say so ourselves). The highlight (should one discount the excellent finger food and beverages – which I certainly don’t) was a short performance of a few of the songs from the album. It was not entirely live – since we were obliged to use some backing tracks – but it was our first appearance in person in front of anyone and we were well aware of the significance thereof.

Come the end of the day, of course, we were even more exhausted than before. Ah well – doubtless we will once again get into the swing of things.

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Bath

We were lucky enough – on our recent visit to ‘abroad’ – to spend a couple of days in Bath, a city that long-time followers of these amusements will know has always been a particular favourite of ours. A quick search for ‘Bath’ in the archives of this journal will reveal plenty of photographs taken on previous such visits, but that need not (and indeed will not) stop me posting a bunch more from this most recent sojourn.

Photo by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson Reid

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