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Bass

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Photo by Andy Dawson Reid“…is a joy forever”.

John Keats

Should you choose to search this journal (though goodness knows why you would so do) for the word ‘Omega’, you would find two entries.

The first such dates back to my very early postings in March 2012. I had just acquired my first serious camera and was experimenting with its capabilities. I took macro photos of two treasured possessions – my much loved 1976 Fender Precision bass and my even more loved 1966 Omega Seamaster.

This latter was a wedding gift from The Girl and – as is her way with such things – she had invested a great deal of time and effort in locating the perfect watch for me.

Respect!

The second reference was in a post that I wrote in May 2015 – a matter of months before I retired and we finally shipped everything to Canada. The subject of this post concerned a then recent and by no means inexpensive sojourn that the Seamaster had spent with an ex-employee of Omega (and lecturer in horology to boot!) being serviced, pampered and generally fixed up – the which had become necessary subsequent to a decline in its previous reliable time-keeping.

Now – I don’t know if the Seamaster (somewhat ironically) disliked the travel involved in relocating half a world away, but it was an annoyingly short interval after this major overhaul that it started stopping (if you see what I mean) at apparently random intervals. It would perform well for a while and then just grind to a halt for no reason. A watch that behaves that way is worse than useless so I put the Omega back in its box and switched to the trusty Oris that I had purchased way back in the 80s.

And that is where things have remained ever since. If we had still been in the UK I would no doubt have gone back to see the expensive dude to ask him – “WTF?”… but that was clearly no longer an option. I thought about getting the watch looked at here, but embarrassment at the amount I had already laid out gave me pause…

…until now!

In yet another unexpected boon arising from lack of COVID travel I decided that now was a good a time as any to set things straight and the Omega duly enjoyed a brief hiatus at Francis Jewellers in Victoria. These chaps specialise in classic watches and run their own workshop – thus giving the appearance of knowing what they are about.

And now – as you can see – the Seamaster is back and looking beautiful. Let’s hope that it is now also running properly.

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Image from Pixabay“It’s not the size of the dog in the fight, it’s the size of the fight in the dog.”

Mark Twain

Following on from the reminiscences of my last post… and in an effort to demonstrate that these meanderings are not as purely random as they sometimes appear to be…

Back in the day I was (and still am in a somewhat desultory sense) a bass player. In common with many novice musicians I proudly acquired my first bass with no thoughts as to what to use for amplification. Later – once I had grown out of the usual home-made setup cobbled together from various bits of domestic electronica – I set about finding a bass rig that would give me the biggest bang for my bucks.

As detailed in my earlier disquisition concerning PA systems, received wisdom at the time was that an extravagantly sized loudspeaker cabinet was required to produce the desired bottom end, with the speakers themselves also being as large as possible. I ended up with an impressively chunky setup loaded with 18″ speakers.

The band in which I was playing at the time had found itself a semi-permanent rehearsal location in a ramshackle outbuilding that formed part of a nursery located in the middle of nowhere. Tucked away in the midst of a swathe of decaying greenhouses we could safely leave our equipment set up and ready to go, so that we could crack on with rehearsals with the minimum of fuss. Further – one of our number was the proud possessor of a van!

Once that band had succumbed to the habitual form of musical entropy I was obliged to downsize my bass rig. I was driving a Mini at the time (my first proper car) and the equipment had to be sized accordingly. Over the years since I have tinkered with various different setups, but when we packed all of our goods and chattels into a container to head for BC in the summer 2015 the box that I loaded was still a weighty lump.

Having payed for its conveyance to Canada I was not best pleased to discover that there was no way of easily converting it to operate on 110V! The manufacturer had gone out of business and no parts or circuit diagrams were available.

I am – as always – the luckiest of chaps, however, and she who is possessed of all wisdom agreed to help me purchase a new amplifier as my birthday present.

Well – you will be unsurprised to hear that technology has undergone its usual magical transformation in the thirty years since I last went shopping for such and it is now possible to purchase a tiny, tiny wee box that can miraculously produce more bottom end grunt than any rig I have ever owned. This thing is minute, it weighs next to nothing but is built like a tank and there can be no doubt that this little mutt could easily take on the big dogs… and probably win!

For those who demand technical details this is a Traynor (solid Canadian brand not found much outside these shores) small block SB110. The amp provides 100W and the cabinet is rear ported and loaded with a single 10″ speaker and a tweeter.

This thing is seriously loud for such a small unit and has no shortage of room-rattling bottom end.

How is that even possible?

 

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The working week – coupled with my mammoth commute and with the need to eat and to sleep – does not really leave much time for exploration. I had half an hour last night to play with the x10 and took the chance to experiment a little with some macro shots. Here are a couple of examples.

This is a most treasured possession of mine – the 1966 Omega Seamaster that Kickass Canada Girl gave me as a wedding gift. It could do with a new crystal, but it is a thing of beauty and a timeless classic…

… as is this – my lovely 1976 Fender Precision. Clearly I have a love of things classical!

Once I have had a chance to really get to grips with the camera I am hoping to be able to produce some pretty decent images.

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Over the years I have had several bass guitars stolen – one from the back of a van whilst it was being unloaded outside a venue in Edinburgh 20 minutes before the start of a show! I could almost admire the chutzpah required for that particular heist, were it not for the fact that the guitar – my first professional instrument – carried a strong sentimental attachment.

The last time I lost a bass, in the early 90s, I took the insurance cheque and headed for the music stores to replace it. I was in for a shock! Bass guitar technology had changed and I found that I no longer understood it. There were 5 string basses, 6 string basses, extended range basses, acoustic basses, semi-acoustic basses… I couldn’t play any of them! The tide had ebbed and left me behind – driftwood on the strandline.

Fortunately I found a proper old-fashioned guitar shop in Richmond (that is Richmond in the UK – in Surrey… oh, let’s not get confusing!) called – as I recall – Barney Marder’s. Sadly this store is no longer with us, as it used to carry a wonderful collection of old and sometimes rare guitars. There I found a much abused Fender Precision from the mid 70s, in a battered case and with most of the original finish worn away through use. It needed a bit of work but it will – if looked after – see me out.

I am reminded of this episode now because I am looking to purchase a camera. My intention – a good one I think – is to furnish this blog with images that I take myself. Though very much a novice when it comes to photography I do want to try to capture the things that I see and that I write about. The cheap digital camera that I have been using for the last few years does surprisingly well at the basics, but I have a hankering to be able to produce the sort of images that are now so prevalent on the web.

When I was young (painful to write that in so many ways!) there were basically only two types of consumer camera – inexpensive ‘compacts’ that used film cartridges and 35mm SLR jobbies that required flight cases, multiple lenses, filters and all the rest of the paraphernalia. I naively assumed that something similar would still apply, and that to step up I would need to look for the digital equivalent of the 35mm camera – the DSLR. I turned to the Internet to see what might be available.

Another shock! Camera technology has changed and I no longer understand it. Did I want a point and shoot camera, a compact system camera, a bridge/hybrid camera, a 4/3 format camera, a micro 4/3 format camera, an entry-level DSLR, a ‘prosumer’ DSLR… or should I just use the camera in the iThing?… if I had one… which I don’t!

Clearly I have no idea at all as to what I should be looking for. I made a list of what I think are my requirements:

  • There has to be a viewfinder of some sort – I don’t like taking pictures at arm’s length
  • There has to be manual or semi-automatic control – I like to tell the camera what to do
  • There should be dials and buttons rather than just onscreen menus
  • It must be possible to shoot in reasonable closeup and at a reasonable distance
  • It must be possible to shoot in fairly low light
  • The camera should be as simple as possible (no comments please!)
  • The whole shooting match should not be too heavy – or I just won’t use it

At this point I consult my brother, who is a designer and who has used cameras professionally ever since he left college. He solved the weight/complexity problem on his first trip to Canada – in the summer of 2010 to attend our wedding – by simply leaving his Hassleblads and DSLRs behind and traveling with an old Leica rangefinder. Mind you, he has just paid an arm and a leg for an M9, so I’m not sure about using him as a role model. Still, he has promised to have a think about it and to get back to me with a recommendation. His younger son is getting Kickass Canada Girl’s car at a knock-down rate when she leaves for BC, so he probably owes me one.

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