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Memories

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Image by Alana Elliott on Wikimedia CommonsBefore I came to Canada in 2015 I was entirely unaware of Stuart McLean, or indeed of the much loved weekly CBC Radio show – The Vinyl Café – that he hosted for more than twenty years.

I am absolutely certain that the Kickass Canada Girl – who has long been numbered amongst the humourist and storyteller’s many fans – had for my benefit at some point extolled his virtues long before we crossed the pond for keeps, but I am a bear of advancing years (as well as very little brain) and there has been such a lot to learn (this is called “getting your excuses in early”!).

Once in Canada, of course, and having had the opportunity to experience the show ‘in the flesh’ (so to speak) I rapidly became a convert too. It was therefore deeply saddening to hear the news this week that Stuart had succumbed to the melanoma that he had been battling for more than a year.

I am way too much of a Vinyl Café neophyte to be able to indite anything remotely apposite at this point. I urge the gentle reader instead simply to ‘Google’ “Stuart McLean” and to peruse some of the many tributes to the man. This page of twitter reactions gives a good idea as to just how deeply loved he was.

For myself all I would say is that there was something about his writing and on-air manner that reminded me of how radio used to be when I was growing up in the UK, where my earliest exposure to the outside world came exclusively from the BBC’s ‘Home Service’ (later Radio 4). That’s pretty much as good as it gets in my book.

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Image from Pixabay“It’s not the size of the dog in the fight, it’s the size of the fight in the dog.”

Mark Twain

Following on from the reminiscences of my last post… and in an effort to demonstrate that these meanderings are not as purely random as they sometimes appear to be…

Back in the day I was (and still am in a somewhat desultory sense) a bass player. In common with many novice musicians I proudly acquired my first bass with no thoughts as to what to use for amplification. Later – once I had grown out of the usual home-made setup cobbled together from various bits of domestic electronica – I set about finding a bass rig that would give me the biggest bang for my bucks.

As detailed in my earlier disquisition concerning PA systems, received wisdom at the time was that an extravagantly sized loudspeaker cabinet was required to produce the desired bottom end, with the speakers themselves also being as large as possible. I ended up with an impressively chunky setup loaded with 18″ speakers.

The band in which I was playing at the time had found itself a semi-permanent rehearsal location in a ramshackle outbuilding that formed part of a nursery located in the middle of nowhere. Tucked away in the midst of a swathe of decaying greenhouses we could safely leave our equipment set up and ready to go, so that we could crack on with rehearsals with the minimum of fuss. Further – one of our number was the proud possessor of a van!

Once that band had succumbed to the habitual form of musical entropy I was obliged to downsize my bass rig. I was driving a Mini at the time (my first proper car) and the equipment had to be sized accordingly. Over the years since I have tinkered with various different setups, but when we packed all of our goods and chattels into a container to head for BC in the summer 2015 the box that I loaded was still a weighty lump.

Having payed for its conveyance to Canada I was not best pleased to discover that there was no way of easily converting it to operate on 110V! The manufacturer had gone out of business and no parts or circuit diagrams were available.

I am – as always – the luckiest of chaps, however, and she who is possessed of all wisdom agreed to help me purchase a new amplifier as my birthday present.

Well – you will be unsurprised to hear that technology has undergone its usual magical transformation in the thirty years since I last went shopping for such and it is now possible to purchase a tiny, tiny wee box that can miraculously produce more bottom end grunt than any rig I have ever owned. This thing is minute, it weighs next to nothing but is built like a tank and there can be no doubt that this little mutt could easily take on the big dogs… and probably win!

For those who demand technical details this is a Traynor (solid Canadian brand not found much outside these shores) small block SB110. The amp provides 100W and the cabinet is rear ported and loaded with a single 10″ speaker and a tweeter.

This thing is seriously loud for such a small unit and has no shortage of room-rattling bottom end.

How is that even possible?

 

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“It’s not the size of the dog in the fight, it’s the size of the fight in the dog.”

Mark Twain

Way back in the mid-1970s when I was in my early twenties and playing in the sort of wildly optimistic band that so many of us did back in the day – only one thing was certain… none of us had any money! One of the effects on the musician, of course, was that we had to make do with whatever cheap and cheerful equipment we could cobble together.

It is a sad truism concerning the arc of the musician’s career that, at the point that he (or she) is young and just learning to play, he (or she) must do so on some hideous old nail of an instrument that makes everything a hundred times more difficult than it need be. Of course, should he (or she) eventually become established as a musical legend, able rip out licks and riffs even whilst comatose – then the manufacturers of the most precious, the most beautiful, the most infinitely playable of musical contrivances dispense them like candy – utterly free of charge – to those who no longer have any need of such largesse… in the pursuit of ‘celebrity’ endorsement!

‘Tain’t fair!

But where was I? Oh, yes…

So – when it came to trying to cobble together a PA (Public Address) system such that – if nothing else – our delicate (some might say fey – this was the 70s!) vocals might be heard, we were obliged to beg, borrow or steal what we might. The bottom end was a different matter. Bass bins were expensive, hard to come by and people didn’t just give them away. We had to build our own!

Image from Wikimedia CommonsI carried out extensive research at my local library (for the InterWebNet had not at that point been invented) into the acoustic design required to reproduce low frequency signals at a reasonable volume. It turned out that we would need to build bass ‘horns’ of which – because of the length required to deliver frequencies low enough – the horn parts themselves would need to be ‘folded’ if the enclosures were to be confined to manageable proportions. My calculations (and it must be said that maths was never my strong suit) suggested that the unfolded length of the horn would need to be some where between fifteen and twenty feet! The resultant boxes were enormous and weighed a (metaphorical) ton each.

Image by Rudolph Schuba from Wikimedia CommonsNow – if you have been to a large concert anytime recently you will have observed that the PA system simply comprises a number of curved columns of small(ish) units suspended from the ceiling. This interestingly fragile looking contraption is called a Line Array. Not only are these modern systems really rather elegant, but the sound produced is any number of light years advanced from the distorted offerings of yesteryear. There is simply no comparison with the systems in use at the first gigs that I attended back in the early 70s, for which either side of the stage would be girt with huge stacks of bass and other cabinets (I went to one gig at which the support act had their own massive PA stacked in front of the main act’s system. There was a very long intermission!).

The point is – when it comes to gear (and technology) – everything has changed.

But why am I telling you all this? Just a tease, of course, for the next post!

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Image from PixabayThe year just ending will be difficult to forget… no matter how hard one might wish to try. The grim catalog of events which has confounded us has been, of course, most widely promoted already – just as have the all too understandable reasons for seeking sweet oblivion in the face thereof. It is difficult to recall another recent period during which this little blue/green planet feels as though it has been buffeted to quite such an extent by the ‘slings and arrows…‘ etc, etc.

Though our own year here on Vancouver Island has not been entirely without incident there is no doubt that we have escaped considerably more lightly than have many. I thought I might canter briefly through the high (and low) lights for the benefit of anyone who would like to be brought up to speed – and in the process maybe to answer some questions that I have not thus far addressed.

The year has certainly flown by, but then they all do once one attains a certain age. The Kickass Canada Girl was shaken quite badly this last time last year by the passing of her aunt and took a while to recover her joie de vivre. The process of introspection that followed led her to reconsider what might have become a permanent retirement and she has instead returned to the world of work – providing assessment services for a charity that organises volunteers for the (mostly) elderly. This focus has renewed her sense of purpose and restored a spring to her step.

I have made reference already to the legal matter that has thus far prevented us from starting renovations to our North Saanich home – and also to the fact that we have now set same in motion regardless. It is a good thing that we have done so, as it turns out, since the latest thinking is that we should now apply for a court date as a means of chivvying things along. It is apparently inconceivable that such an appointment could be scheduled before 2018 and we are not prepared to wait another year before getting things started. This coming spring will see definite moves forward.

I spent three months at the start of 2016 studying for (and mercifully passing) my various boating qualifications before finally – with the summer already more than half gone – finding and purchasing a boat! Next year ‘Dignity‘ will doubtless be much in demand – particularly if the summer is anything like the one that we enjoyed this year.

I also spent a fair amount of time this year trying to establish a youth drama programme – a project which is most dear to my heart. Considerable progress has been made but there have also been a number of unfortunate setbacks. I am not convinced that we yet have the right framework and the early part of the new year be given over to further study and much head-scratching. These things take time, I know, and my fingers are firmly crossed for the season to come.

During the summer my brother and his S.O. became our first visitors from the UK – he celebrating his sixtieth birthday. By all accounts they had an enjoyable visit (in spite of still not having seen a bear!) the which included a trip to the interior (Kamloops, the North Thompson, the Okanagan) and a great deal of merriment and indulgence in our own ‘hood’. Hopefully this will be the first of many such.

Reviewing the year’s deaths amongst the great and the good is always salutary; this year as much – if not more – than many. I just wish that that number did not include quite so many who were younger than are we – though I fear that it will increasingly be so.

Still – let us be of good cheer and celebrate the turn of the year in whatever manner suits each of us best.

Happy Hogmanay to all – and ‘Lang may yer lum reek!‘.

 

 

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Photo by Andy Dawson ReidI purchased the apartment in the small village in the south of Buckinghamshire (in the UK) that the Kickass Canada Girl and I were to have such trouble selling before we moved to Canada last summer – back in the first year of the new millennium.

When I took possession in the November of that year I knew that the place needed a fair amount of renovation before I would be able move in but as I was, by great good fortune, at that point housed by the school at which I then worked, I was able to engage a builder and to give him free reign over the apartment in the run-up to Christmas.

As I mentioned in the very early days of this blog, the Georgian manor of which my apartment was but a portion occupied a prominent position in the centre of one of those arcadian English villages (four hundred inhabitants (or thereabouts), sixteenth century church, one pub (of varying quality), a cricket club (likewise!), a huddle of ‘artisans’ dwellings and farm buildings) which are, of course, all as pretty as a picture postcard!

Most days, after leaving work, I drove the short distance to my new residence to check on the (apparently inevitably) glacial progress of the building works. It would be dark by the time I wound my way down the hill into the village so I was accustomed to not really being able to make out that much of the surroundings. Given the sleepy, bucolic nature of the place, therefore, you might imagine my surprise – nay, total shock! – on entering the village on one such dark evening to come face to face with a single small terraced cottage – just across from the pub – that had been adorned with sufficient Christmas illumination that it must surely have distracted pilots on their run-in to Heathrow airport.

Lest you think my reaction excessive you should remember that in the main the Brits don’t go in for American-style public displays of decoration for the outsides of their residences (the which they tend to find a little on the… er, garish side) preferring instead the traditional Christmas tree, tinsel and paper-chains on the inside.

Canadians are (as in most things) somewhat more restrained than their neighbours to the south, but do have something of a liking for illuminated inflatable figures of such size that they must needs be deflated should the weather forecast prophesy wind speeds in excess of the balmy. This year – ignoring my habitually raised eyebrow – the Girl persuaded me that – as we are both now Canadians (if only in the honorary sense on my part) – we should make a little more effort to join in. As you can see from the image that heads this post we didn’t exactly go overboard… but this seems to me to be a suitably mid-Atlantic compromise.

Those who find my attitude to such things snobbish will be delighted to hear that back in 2000 I rapidly received my comeuppance. Having grumbled to all and sundry about the unsuitability of such a vivid display for a sleepy rural village I discovered – on my next visit to the pub – that the owners of the cottage had lost a young son to a cancer and subsequently each year decorated the frontage as part of a fund-raiser for an appropriate children’s cancer charity.

That shut me up!

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Image from Pixabay“Well, I dreamed I saw the knights in armor coming, saying something about a queen.”

Neil Young – ‘After the Goldrush’

I had a hankering – just the other day – to listen again to Neil Young’s splendidly mysterious classic – ‘After the Goldrush‘. I don’t recall now what brought the song to mind… maybe I heard a snatch of it – or read something somewhere… It matters not.

What I did not want was to listen to Neil Young singing it! Nothing against the Canadian ‘national treasure’ of course – it is just that for this particular piece I have always had a different sound in mind – one which involves the female voice. This whimsy is probably the result of having loved the 1970s ‘a cappella’ rendition by Prelude – which is the version of the track that I heard first.

The recording of the Prelude version is – however – sadly showing its age somewhat these days, and I found myself scouring the InterWebNet for a more recent cover that might achieve a similar effect. As ever such a thing was eventually uncovered – in the (slightly) more up to date version (1999) by Dolly Parton, Emmylou Harris and Linda Ronstadt (and who would have ever thought that I would be be listening to that combination?!).

The exercise started me thinking. There are instances when only a specific genre of music will do. This particular mood – for example – clearly demanded the dulcet tones of the old-fashioned female torch singer in delivery of eloquent and poignant versions of classic tunes – perhaps with a slightly twist of mystery for good effect.

Time to put together a suitable compilation CD – I decided – commencing a further search. Herewith the list of tracks and versions with which I have come up thus far to satisfy this requirement (in no particular order):

  • Alfie (Burt Bacharach, Hal David) – Vanessa Williams
  • Wichita Lineman (Jimmy Webb) – Cassandra Wilson
  • Both Sides Now (Joni Mitchell) – Joni Mitchell (from the ‘jazz’ album ‘Both Sides Now’)
  • One (Harry Nilsson) – Aimee Mann (album version)
  • Cry Me a River (Arthur Hamilton) – Diana Krall
  • After the Gold Rush (Neil Young) – Dolly Parton, Emmylou Harris, Linda Ronstadt
  • The Night They Drove Old Dixie Down (Robbie Robertson) – Joan Baez
  • Somewhere (Leonard Bernstein, Stephen Sondheim) – Barbra Streisand
  • The Moon’s a Harsh Mistress (Jimmy Webb)  – Judy Collins
  • This Woman’s Work (Kate Bush) – Kate Bush
  • Unchained Melody (Alex North, Hy Zaret) – Sarah McLachlan
  • That’s What Friends Are For (Burt Bacharach, Carol Bayer Sager) – Trijntje Oosterhuis (live with guitarist Leonardo Amuedo)
  • Nothing Has Been Proved (Chris Lowe, Neil Tennant) – Dusty Springfield

Should the gentle reader care to add any suggestions of his or her own before I commit this list to plastic such would be reviewed with great interest…

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Image by B0rder on Wikimedia CommonsOn Saturday last – for the second time in as many weeks – the Kickass Canada Girl and I found ourselves witness to a gathering of Canadians making an unanticipated act of homage to a musical icon…

Having bid a tearful farewell last week to ‘The Tragically Hip’, this latter occasion featured a fair sized gathering of Victorians over two nights at the Royal Theatre bidding an unlikely ‘hello‘ to Sixto Rodriguez.

Some readers may already be familiar with the frankly bizarre story of Mr. Rodriguez and they may thus choose to skip ahead, but for those – like me – who were previous oblivious to his existence, here is a brief outline.

Sixto – known professionally simply as ‘Rodriguez’ – is a singer/songwriter from Detroit who had a brief and scarcely noticed career in the late 60s/early 70s during which he released two albums – ‘Cold Fact‘ and ‘Coming from Reality‘ in 1970 and 1971 respectively – which were critically well received but sold barely a copy. On being as a result dropped by his record label Rodriguez – phlegmatically and with considerable good grace – retired from the business and returned to his former career in construction.

This might well have been the end of the story were it not that – by dint of a speculative re-release of his albums and through much word of mouth – Rodriguez subsequently became a considerable sensation in South Africa to the tune of some half a million records sold. This rise to the status of a musical icon would have represented a gratifying – if belated – acknowledgement of his talents, were it not that Rodriguez himself was entirely unaware of this turn of events and the South Africans had no idea who he was – having been provided with none of the necessary back-story. Indeed, the rumour rapidly spread that Rodriguez had at some point committed suicide – though even here the details of his supposed demise varied widely from the merely tragic to the quite grotesque.

Eventually – toward the turn of the millennium – a couple of South African fans determined to discover the truth concerning his fate and the man was eventually tracked down to his home in Detroit. On discovering that he was – after all – yet alive he was persuaded to visit South Africa to play a series of concerts, which he duly did in 1998. This again might have been the end of the tale but for a Swedish film director – Malik Bendjellouldeciding that the story merited turning into a documentary film. The resulting production – ‘Searching for Sugarman’ – has won a plethora of awards, including – in 2013 – the ‘Academy Award for Best Documentary Feature’.

As a result of the subsequent interest Rodriguez – now in his mid seventies – has resurrected his musical career and gone back on the road, whilst at the same time trying to establish what exactly happened to the royalties from all of the albums that he did not know he had sold in South Africa. The two sell-out shows in Victoria – in a 1400 seat theatre – pay testament to the ongoing curiosity concerning his story.

If one were to be critical one might observe that the career in construction has clearly exacted a heavy physical toll on the man and his once remarkable voice is a shadow of what it was. It is also obvious that when Rodriguez stopped making records in the early 70s he simultaneously stopped writing, and though his oeuvre displays considerable poetic talent it is also brief in the extreme. Nice to hear cover versions of other people’s songs from that era, but perhaps not entirely worth the rapt adoration that the man received from the packed house on Saturday. I couldn’t help but speculate that it was the narrative that was being applauded rather than the performance itself.

A fascinating study in philosophical anthropology, nonetheless…

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Photo by Andy Dawson ReidFor three hours on Saturday night last Canada was ‘closed’. The Canadian Broadcasting Corporation’s (CBC) wall to wall coverage of the Rio Olympics was put on hold and there would even have been (had the hockey season yet commenced) a brief hiatus from the nation’s abiding passion.

Much of the country instead settled in (or partied out) to watch the live streaming from Kingston, Ontario of the final ever concert by ‘The Tragically Hip‘.

Canadian readers will require no further explanation and can skip blithely ahead. For many of them ‘The Hip’ have provided an iconic soundtrack to Canadian life for the last three decades and more, capturing the essence of Canadiana to a degree matched by no other. The band is – however – largely unrecognised without these shores and, though they have achieved some recognition in the UK and elsewhere, the Americans don’t seem to get them at all. This naturally endears them all the more to the inhabitants of these fair lands.

Non-Canadians might yet wonder why – in the age of the endless resurrection of their careers by those old enough to know better – quite so much fuss has been made of ‘The Hip’s’ farewell. The answer is tragically simple. Lead singer, lyricist and poet, Gord Downie, has an incurable brain tumour. To suggest that the occasion of the final concert was emotionally charged would be an understatement.

Prime Minister Trudeau (apparently a huge fan) was in the audience and Downie took the opportunity to publicly hold his feet to the fire concerning election promises, particularly with regard to the matter of the treatment of the First Nations. It is most likely that the many fans of the band will use this exhortation to endeavour to ensure that there is no backsliding on the part of the Liberal government.

We attended a splendid ‘Hip Party’ hosted by our dearest friends in Saanichton, complete with big screen and sound system in the garden so that no-one would miss the show. We cheered – we sang – we danced – we shed many a tear… The moment – and the occasion – was duly celebrated.

I am, of course, a newcomer – both to this fair land and to ‘The Hip’. The making of a myth – however – is easily recognised by those for whom such rites are an essential part of our existence in this realm.

I am one such.

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1280px-PandemoniumA little under four years ago the United Kingdom was picking its gingerly way through the mongrel days of the final run up to the 2012 London Olympics. It is fair to say that a great mood of cynicism – even pessimism – hung heavy in the air. The world financial crisis was at its height and it seemed somehow perverse to be spending a fortune on a festival of sport in such straightened times.

Perhaps worse, there was a very real fear that the country would wake the morning after the opening of the Olympiad to find itself the object of ridicule and derision for what many people believed was going to be – particularly by comparison with the lavish state-devised extravaganza from Beijing four years earlier – an amateurish and embarrassing debacle. On the night of the opening ceremony at least one UK journalist – submitting copy to catch the early editions before the event had started – penned a devastating critique along just such lines.

It took less than ten minutes for the great majority of those watching to change their minds utterly.

My post to this journal of the following morning included this:

As you may have deduced – I spend Friday evening watching Danny Boyle’s bizarre, amateurish (in the best sense), messy, insanely brilliant opening ceremony. I fell off the sofa laughing. I howled like a baby – at some points so hard that I could scarce catch my breath. In the kaleidoscopic whirl of layered references (oh what delight – an Olympic opening ceremony incorporating subtlety and ambiguity, whilst at the same time displaying complete self-confidence!) I repeatedly heard and saw images and ideas in the magical musical and visual smorgasbord that made me cry out, “Yes – that’s us… and that… and that…”

The gentle reader is most probably by this point scratching his (or her) head and wondering what could have triggered this brief exercise in nostalgia. The answer is – of course – the recent BBC documentary in the ‘Imagine’ strand entitled “One Night in 2012“. I am not ashamed to report that viewing this one hundred minute documentary – for which pretty much the entire creative team for the ceremony had been re-united – rendered me helpless all over again. On this occasion I was moved not only be the heart string-tugging moments from the show itself (though that did indeed happen) but by the stories of its genesis and evolution.

Confirming once again my view of Danny Boyle’s genius, we heard how the very impossibility of competing with the huge sums of money and military organisation that the Chinese had thrown at the Beijing ceremony had led to the decision being taken very early on that this show would not only be about ordinary people, but that it would feature them as the main element of the performance itself. To that end a huge army of volunteer performers was auditioned and cast as actors, dancers, musicians and stagehands.

I was touched deeply to see how the artistic team set about moulding such a vast company of amateurs with widely varying skill sets into well-drilled teams who not only put on the performance of their lives but also clearly loved every precious moment of it. The producers and directors, community choreographers, composers, drum tutors, costumers and technicians who helped to give this gift, not only to those involved in the show but also to the 80,000 in the stadium as well as to the billions watching on TV, were truly inspirational – in every sense of the word – and I doff my toque to them.

One delighted performer described how he had taken part in the show expecting to spend the evening applauding others – the athletes, dignitaries and so forth – but instead found himself part of a team that were themselves being widely and rightly lauded.

After watching the documentary I was moved once again to search out the film of the ceremony on the InterWebNet. I simply cannot get through it without dissolving. The climax of the opening Pandemonium sequence (which is, I think, exquisite in its entirety) as the newly forged Olympic rings come together above the stadium and burst into fire – leaves me gutted and gasping for breath every single time!

Kudos once again to all involved – and it still is not too late for the knighthoods!

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Image by Nheise at en.wikibooksI found myself the other day musing on the subject of false memory. I will explain momentarily why I should have been so doing, but I should first clarify that I am referring to false memories themselves and not to ‘false memory syndrome’ – which is rather different. On the latter Wikipedia offers:

False memory syndrome is a condition in which a person’s identity and interpersonal relationships center on a memory of a traumatic experience that is objectively false but that the person strongly believes. Note that the syndrome is not characterized by false memories as such. We all have inaccurate memories. Rather, the syndrome is diagnosed when the memory is so deeply ingrained that it orients the individual’s entire personality and lifestyle—disrupting other adaptive behavior.

Nothing disruptive in my case – just ‘inaccurate memories’. In a 2013 article for ‘Time‘ Tara Thean wrote:

The phenomenon of false memories is common to everybody — the party you’re certain you attended in high school, say, when you were actually home with the flu, but so many people have told you about it over the years that it’s made its way into your own memory cache. False memories can sometimes be a mere curiosity, but other times they have real implications. Innocent people have gone to jail when well-intentioned eyewitnesses testify to events that actually unfolded an entirely different way.

I have long been aware that certain memories from my very early childhood are demonstrably false. Having spent the first six years of my life in what is now very definitely a suburb of the London metropolis I am convinced that I can recall the infamous ‘pea-soupers’ – those sometime lethal London smogs. That the ‘Great Smog‘ of 1952 – as a result of which some four thousand people are thought to have died – led in the ‘Clean Air Act of 1956‘ to the banning of the burning of all but smokeless fuels within the capital, suggests that any memories that I have of such events are probably incorrect, particularly as I – born as I was in 1954 – have no other clear memories before the ages of four or five.

Much the same must apply to my ‘memory’ of having seen horse-drawn milk floats ‘when I were a nipper’! As far as I can work out they pretty much all disappeared shortly after the war to be replaced by electric floats. It may have been that there were still horse-drawn rag and bone carts when I was young, but I’m not sure why I would transmute one into the other.

The reason for my recent reverie concerns a slightly later – and in many ways more puzzling – false memory. I was watching – a few days ago – a BBC documentary on the 1966 Football World Cup. (Now – who won that? Gosh – it is so hard to recall!) The reason for the broadcast was – of course – the upcoming fiftieth anniversary of that momentous occasion.

Now – I didn’t watch the 1966 final. It would be yet a good half decade before my parents agreed that we could have a TV, though I could – of course – have watched it elsewhere. I was instead, however, otherwise engaged on the day.

My memory is that I was attending a combined boy scout/girl guide camp at a local campsite that particular weekend. The memory – in which others present were listening to the match on transistor radios – has been quite clear in my mind across the intervening years. I can even vaguely recall the celebrations when the game was won.

Except that – none of that was true! Whilst watching the documentary it quite suddenly – after all this time – occurred to me that I would have been only twelve years old that summer. Those joint scout/guide camps were – understandably in view of the the mores of the time – only for boys and girls at least three or four years older than I then was. I was obviously at some scouting event, but it clearly wasn’t that one…

Odd to think that, whereas as one grows older one expects childhood memories to become less clear, in cases such as this it is the past memory that proves to have been faulty.

Maybe there is hope for us old farts yet…

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