Music

O for a Muse of fire, that would ascend
The brightest heaven of invention

William Shakespeare

I have long been fascinated by the nature – and the mystery – of creativity.

In one way or another – and for the greater part as an amateur – I have been a writer for as long as I can recall. I have read throughout extensively on the arts of writing and composing but – although I have learned much about technique – I still don’t understand how the muse itself functions. Perhaps no-body does.

In my youth and young adulthood – throughout the 70s and early 80s – I played in bands for which I was often the principle songwriter. Later – through my background as a musician – I became involved with youth theatre, and shortly thereafter started to write musicals. I wrote – or co-wrote – six such shows (including a re-working of Hamlet set in Thatcher’s Britain!) the majority of which were performed at the Edinburgh Festival Fringe. When I ran out of collaborators willing or mad enough to take on such ventures I turned to writing straight plays instead.

One of the great hopes for my retirement to BC is that I will have the time to devote to writing properly. A full length play will currently take me 2 or 3 years to complete (though of course a play is never actually finished) as I have to fit the writing around work, commuting and sleeping – all of which consume far more of my life than does creativity… at least in the temporal sense. I have only once had the opportunity to write ‘full-time’, as it were, when a (sadly) quiet and lonesome Christmas fortnight enabled me to pretty much complete the first draft of an adaptation of Wolfram von Eschenbach’s ‘Parzival’. Sounds pretentious… was a lot of fun!

Recently I have spent a considerable chunk of my spare (ha!) time re-working some of my songs that were written over the past four decades. The driver for this was that my home studio – which at one point was indeed a room full of equipment but which has now shrunk to a single keyboard and a computer – has reached a point in terms of the technology involved that reasonable quality recordings can be made single-handedly and without great expense. Indeed, when now I meet old friends with whom I once played we often find ourselves discussing – somewhat longingly – what we might have achieved had we access to the technology that the young now take for granted.

All this is of course an aside. Back to the muse…

I have not written a new song for nearly 10 years. Until now – that is.

When we stayed – on my recent visit to Victoria – for a week in Oak Bay, it happened that the house in which we were living contained an upright piano. As Kickass Canada Girl had to work on some of the days that we were there I took advantage of being at a loose end to sit at the keyboard and to doodle around (extemporise!) a little. To my surprise a couple of interesting sequences popped out, and when I discovered the following day that I could still recall them quite clearly it became apparent that an new song might be emerging. A 20 minute wait for the Girl in Serious Coffee in Oak Bay Village gave me the subject for the song, and a little further head scratching produced a workable lyric for the first verse and – as a bonus – an idea for the chorus. All of this before she arrived…

Back home in the UK I thought I should see if I could get something down. I have become accustomed to spending a month or more working on a track trying to get a decent recording, but this one sprung to life in no more than a couple of weeks of snatched moments, and that included writing the bridge and instrumental passage that seemed to be required. I have become used to the incidence of happy accidents during the recording process, but in this case they not only all worked out well, but added a couple of layers of meaning to the song that certainly didn’t come from the conscious mind.

At this point the Girl arrived from BC and we traveled to Provence. I thought I might find a little time to work on some more lyrics but was greatly surprised that – in a spell of no more than 30 minutes yesterday – the rest of the song appeared “as if by magic”! Now all I need to do is to record some vocal tracks (regrettably only with my unfortunately scratchy voice) when I get back to the UK and – hey presto!…

It is not the most original song ever written, but I think it works quite well for what it is. Have I learned anything new about the creative process? Not really – except that one should never, ever think that the muse might have deserted one – no matter how long since one last created. My father – having given up composing when a young man – came back to it in his retirement.

There is definitely a lesson there…