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What goes around – 1

March 21, 2021 in Life as we know it | Permalink

It should perhaps be unsurprising in such times as these – that is, both when the winter is yet dragging its feet and noisily denying a platform to the incipient spring – and when the pernicious pandemic, still charging ahead at pretty near full throttle, keeps us cowering, heads well down, in our cardboard castles – that our thoughts turn to other and (in our memories at least) more gentle times.

Yes – it is for such ages that nostalgia was invented. This post (and quite possibly the next) will be devoted to the subject of just such wallowage (a word which appears in abundance on the InterWebNet but which may not be located within any dictionary as far as I can see).

At this point two years ago we were excitedly preparing for our last visit to the UK and to Europe (now, of course, sadly different things!). As that was to be our first trip back since moving to Canada in 2015 it is not surprising that revisiting old haunts and re-uniting with loved ones – both family and friends – featured prominently on the agenda.

Having done so within these postings on more than one occasion I am not about to recount yet again our doings on that trip but more to dwell upon the aftermath thereof… the echoes, should one prefer. I wrote at the time of the friends and family with who we had been re-united and I also waxed extremely lyrical concerning the long-lost contacts that were remade – particularly with those with whom I had at one point been fortunate enough to have created music or theatre.

Quite delightfully many of us who re-kindled associations on that trip are still in touch by one means or another – but mostly, it should be said, courtesy of the InterWebNet. Some keep in touch by email – some follow this blog (and on occasion respond thereto) and others have formed or joined the sort of online groups that may be used to share memories of people, places and events from our shared pasts.

Quite apart from the pleasures to be enjoyed by the recollection of the treasured memories that may thus be evoked this does give me – at least (though I suspect others also) – pause to consider just how rich were the experiences that we shared and the relationships that we formed. In my view we were – and still are – lucky, lucky people…

The next post will concern one of those odd little twists of fate that perhaps all lives throw up… (or perhaps not)!

On with the nostalgia…

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Fragile

February 21, 2021 in Life as we know it | Permalink

“If only these treasures were not so fragile as they are precious and beautiful.”

Johann Wolfgang von Goethe – The Sorrows of Young Werther

I watched the other day – on the splendid but disturbingly imperiled BBC – the latest in Alan Yentob’s arts strand – ‘Imagine’. The most timely subject of this episode was the delicate state of the arts in the UK (but by extension also throughout the western world) as a result of the COVID-19 pandemic.

The point was well made that the case for spending government monies to protect the arts at a time when the health service is all but overwhelmed and when old people are dying in care homes (as was certainly the case at the start of the pandemic) is extremely difficult to make. It is – of course – always difficult to mount any such convincing justification for the arts in times of crisis and disaster.

Except that – whereas Mazeroff’s ‘Hierarchy of Needs’ certainly depicts our physiological and safety needs as comprising the broad base of the pyramid, as one heads on upwards towards the top where love and belonging, esteem and self-actualisation are to be found, we once again rapidly discover (as a by-product of our unwanted incarceration through lock-down) that life without the arts, with all their magnificent variety and substance, loses a surprising measure of its meaning.

If that were not case enough for protection of our priceless and precious artistic assets then let us fall back on that ever reliable argument – economic benefit. In the UK alone the arts and culture sector contributes nearly £11 billion a year to the UK economy on a turnover of more than £21 billion per year – supporting in excess of 260,000 jobs. Even given that some £900 million of funding flows each year from central government into the arts and culture, the recuperation from the sector of £2.8 billion a year in tax revenue represents a very decent return.

The UK government has at least recognised the urgency of supporting the arts sector – the which was by and large the first to close in the COVID-19 lock-downs and will in all probability be the last to re-open – and has made £1.5 billion in funding available to keep companies and venues afloat.

All very reasonable as far as it goes – except that the arts is considerably more than just famous actors and musicians, well-renowned companies and grandiose venues. The majority of those who work in the arts and culture sector do so, in fact, as freelancers and as such are not covered by the government’s emergency funding arrangements. Anyone who has even tenuous connections with the arts world (as do I) will know of people whose livelihoods have all but disappeared overnight. If they are forced out of the arts for good a large chunk of the arts economy will disappear with them.

Please do spare a thought for such folk and do whatever you can to support them.

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Old-fashioned

January 26, 2021 in Flotsam and Jetsam | Permalink

I have struggled for decades now with the fear of and resistance to change – mostly in the realms of technology, transportation, and the ways people choose to communicate. If I had a theme song, it would be that lovely song ‘I’m Old-Fashioned,’ as sung by Ella Fitzgerald.

Julia Glass

I have probably written quite enough on these pages in recent times about “Winter Blue and Evergreen” – the album (which I shall determinedly call that just to be even more old-fashioned) that the Chanteuse and I have of late let loose upon an unsuspecting world.

There was much talk of streaming and downloading and Spotify and YouTube and suchlike… all wonderfully modern concepts and jolly splendid for anyone in the business trying to make a name for themselves; or not in the business and just trying to listen to some music.

But then again… there are some folks (like me) who really are just old-fashioned about such things and prefer their music still to be on a physical CD. Let’s not get side-tracked at this point by those who prefer vinyl or – heaven fore-fend – cassette tape or even (shudder!) 8-track!

I played CDs myself in the car until very recently – when the CD auto-changer in the Lexus stopped reading them properly. I did look for a replacement but the cost was prohibitive so I had to switch to a Bluetooth receiver and my phone instead – which is actually way more efficient…

Ahem!

No – the point is that some folk prefer CDs and when it comes to “Winter Blue and Evergreen“… CDs we have got! You can’t order them through the website (at the moment) but you can just drop me a line and I will send you one.

Can I say fairer than that?

I think not…

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Onward!

January 20, 2021 in Life as we know it | Permalink

“From a certain point onward there is no longer any turning back. That is the point that must be reached”.

Franz Kafka

I predicted in my recent ‘Review of the Year‘ post that this effort (a look ahead to the year just started) would either be dealt with in short order (there being nothing much to which to look forward) or really rather difficult to write.

We shall see which turns out to be the case…

Now – I could write a very simple list of things that we would like to achieve this year. It would look something like this:

  • To get to see family and friends – face to face!
  • To be able to entertain again
  • To dine out
  • To see some live theatre
  • To enjoy some live music
  • To attend a live sporting event (preferably Rugby!)
  • To be able to travel… anywhere!

I do realise, of course, that these objectives may well be very similar – with minor variations – for many, many people this year. In the spirit of making a proper effort, however, I will see if I can do a little better in terms of our particular situation.

Extremely blessed as we are financially with the relative security of our pensions (who would have ever thought to be able to write such a thing) and our on-going part-time jobs, the one positive side-effect of not being able to do any of the things on the list above is that we do not currently have any major outgoings. For this reason we have decided to invest a little further in renovations to our home.

Readers may recall that in the spring of 2017 we had our new deck built on the back of the house. In the winter of 2017/18 we tackled the greatest challenge, with the wholesale renovation of the main floor of the house. In 2020 we had the exterior redecorated.

All that remains is for us to do some upgrades and tidying up in our basement. Our main guest bedroom is down there and needs a proper bathroom in place of the lashed-together affair that it currently has. The small kitchenette needs remodeling and upgrading and the family room – that which we re-painted in 2019 – needs to have its purpose properly defined and to be re-jigged accordingly.  We are thinking that we may turn some of it into a small fitness room.

This is all currently in the planning stages with a view to being effected in the spring/summer.

As I say – we are both expecting to carry on working – at least part time. I am not teaching this term (too small an uptake) but may instead teach a condensed version of the course in the spring (summer) term. The Girl will continue three days a week at her volunteer agency and is still seeing clients with her other hat on. I too will continue to make and promote music with The Chanteuse – following whatever course that may take.

As things stand I don’t think we can look further ahead than this. Like everyone else – we wait and watch…

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Into the wild

January 13, 2021 in Flotsam and Jetsam | Permalink

Well – I think that I can now officially report that the new Anam Danu album – “Winter Blue and Evergreen” – has been officially released into the wild!

You can – should you be willing to give it a listen – find it at many of the usual online outlets – Spotify, Apple Music, Amazon, iTunes, YouTube, Bandcamp et al – whence it can be streamed, downloaded or purchased in the usual manner.

The best way to locate it is to visit the Anam Danu website at:

https://anamdanu.com

…where you will find information about the album and appropriate links to a number of the most common digital music sites.

We are awaiting physical CDs (wrapped in Martin Springett’s gorgeous artwork) to arrive from our supplier. For those who are sufficiently old-fashioned (like me!) that they prefer a physical object do let me know and I will happily send you a copy. It will be winging its way from the west coast of Canada, however, and if Canada Post’s recent Christmas performance was anything to go by I would advise hunkering down and settling in for a significant wait. Still, with lock-downs abounding around the world, what else do you have to do?

If you do have a listen – and like anything that you hear – we would be most grateful if you were to do us a huge favour by recommending it to someone else.

Thank you in advance. Enjoy!

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Connecting the dots

January 7, 2021 in Life as we know it | Permalink

“You can’t connect the dots looking forward; you can only connect them looking backwards”.

Steve Jobs

Yes – it’s that time of year again. Time to look back at the good intentions that I enumerated in the equivalent post last January – ahead of the first year of the new decade – and to determine just how well or how badly we did in our efforts to accomplish them.

Now – I hardly need to point out that 2020 did not turn out the way that it was expected to – for anyone… so, when I look down last year’s list I really don’t expect very much to appear in the ‘tick-done’ column.

The first point of business on last year’s list was actually a reference to the fact that we were – at that point – pleased to be playing host to a very long-time friend (particularly of The Girl’s – they having done some of their growing up together in Kamloops) who had been in urgent need of somewhere to live. It was truly a delight to have her with us, as she was until well into the summer. She is now working in Vancouver and we are delighted that she found considerably better fortune as the year progressed.

I mentioned that I was teaching a new course – an introduction to Computer Science – about which I had been quite nervous. As things turned out it went a lot better than I had expected and I found myself rather enjoying it – in spite of the fact that the shutdown with which we were inflicted in March resulted in my having to teach the last three weeks of the course online. I taught again in the autumn – this time entirely online – for upwards of thirty environmental science students whom I never met face to face. Strange times.

I also mentioned last January that we were going to run away for a week in February to Mexico. This we did – and had a lovely re-charging break there – though the COVID-19 lock-down undid a fair bit of the good work that had been done shortly afterwards.

The pandemic has disrupted so many lives – in some cases, of course, tragically – and The Girl and I feel particularly blessed in that we have been affected way less than have many others. We are very fortunate in that our property here on the peninsula affords us a very benign environment in which to be locked-down. I found teaching online to be less of a challenge than I expected, though it did take a fair bit of work in terms of preparation. The Girl works pretty much exclusively from home and that works reasonably well also. She thought at one point that her new business would have to go into hibernation whilst the pandemic lasted, but meeting clients in video-conferences has proved more effective than she expected it to – and she has found herself with rather more work than she anticipated.

I professed the hope, in last year’s missive, that I might get the opportunity to do some more music-making with The Chanteuse. As regular readers will be aware, things turned out to be considerably better than we feared might be the case – and we contrived to record a whole new album purely working online. I will post more news on that front in just a few days from now.

Naturally all travel plans (post-Mexico) went out of the window, something that we don’t expect to see changing anytime soon.

I rather suspect that the companion post to this one – in which I look forward to the year ahead – will be considerably harder to write and probably also considerably shorter, as it is very difficult to tell how things are going to pan out over the coming months.

I will, however, do the best that I can.

 

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Illustrating the story – 2

December 27, 2020 in Flotsam and Jetsam | Permalink

Having described in my last post how we came to be lucky enough to have Martin Springett designing for us the cover of our new album – “Winter Blue and Evergreen” – this post demonstrates how Martin’s design evolved from the draft pencil drawing to the finished artwork.

Martin was generous enough to keep us informed throughout the process and watching the eventual artwork slowly emerge was a fascinating and valuable lesson.

From the draft Martin drew the final outline of cover in a larger form:

He then started to fill in the detailed shading – still working only in monochrome:


…until the final form was complete:


The image was then digitised and coloured on the computer. Doing so has the significant advantage that different colour values can be tried before the final version is settled upon. Martin also added the titling and borders to turn the wonderful image of the Goddess into a CD cover.

 

At this point the artwork was sent to us – in digital form – so that we could submit it to our chosen Digital Music distributor and to work it up into a cover for physical CDs:


Martin is in a position to be able to choose from whom he accepts commissions and we are greatly honoured that agreed to design and create our album artwork for us. Do check out Martin’s splendid website – as well as that of his band – The Gardening Club.

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Illustrating the story – 1

December 26, 2020 in Flotsam and Jetsam | Permalink

“Album covers are like any other vehicle, they are a means of illustrating a story”.

Peter Blake

The fabulous cover for our new CD – “Winter Blue and Evergreen” was created for us by Toronto-based musician and artist – Martin Springett.

That we ended up with such an excellent and fitting cover is entirely down to the Chanteuse. She describes how it came about:

“How I was connected with Martin is through a friend and work colleague of my husband’s named Joan Steacy.  Joan is an award-winning graphic novelist and instructor at Camosun College’s Comic and Graphic Arts program.  Joan was over one day and I had her listen to a track from the new ‘Anam Danu’ album.  She said the music reminded her of her friend Martin’s music, and then she explained that he was also fabulous graphic artist who had done album covers for his band, and other bands, as well as being a children’s book illustrator“.

The Chanteuse investigated Martin’s website and found that the style of his artwork fitted with thoughts that she already had in mind for the CD cover. Joan put the Chanteuse in touch with Martin – she called him and introduced us and asked if he might be prepared to take on a commission for us. Having listened to some of the tracks from our first release – “Winds of Change” – Martin most kindly and generously agreed to take on the project.

Martin and the Chanteuse engaged in an email exchange to determine the elements that the cover should include. Martin sent her examples of previous works in similar styles to those that they were discussing and the Chanteuse sent him images of Celtic designs that she had sourced.

Common ground having been agreed upon, Martin quickly came up with some initial ideas as to the form that the cover might eventually take. These lovely drawings show how it rapidly evolved. (Note that we had clearly at that point not settled on a final title for the album!).

 

 

 

Martin wrote of making the figure “more lively“; of creating “a big gesture that would flow across the square shape“. This is what he came up with:

 

We loved it and immediately gave it the thumbs up. We loved the flow and movement of the Goddess herself – we loved the elements of the circle of life that have been incorporated and we loved the way that Martin had pulled into the image ideas and themes that we had addressed in the songs on the album.

We eagerly anticipating seeing the finished cover. The process by which Martin turned his draft into the finished artwork will be the subject of my next post.

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Flying the nest

December 21, 2020 in Flotsam and Jetsam | Permalink

Artwork by Martin SpringettSince my last update on the subject of the eagerly awaited new Anam Danu album – “Winter Blue and Evergreen” – much has occurred.

The tracks have passed through the mastering process described in my last update and have been assembled into an album. Final tweaks were made and all is now as good as we can get it.

We now have a splendid and beautiful cover for the CD – the which you can see at the top of this post. This lovely piece of work was created specially for us and I will pass on the full story of how it came to be in a subsequent post.

All of this goodness has been bundled up in the approved fashion and shipped off to our Digital Music Distributor of choice. All we can do now is to sit back and wait, because the process normally takes around three to four weeks. With Christmas looming it may even take a little longer – but as you all know: “All good things…”

Once all has been through the approval mill the album will become available through all the usual digital channels.

Finally – Anam Danu now has its own website, which can be found at:

Anamdanu.com

We are pretty pleased with the way that the website has turned out, but is is conspicuously lacking in any of the usual atmospheric band shots. The reasons for that are sadly obvious; in times of pandemic trying to organise a photo shoot runs that gamut from difficult to downright foolhardy.

The website will be kept up to date with all manner of musical goings-on as things progress. Needless to say one of the first things to look for there will be the firm release dates – once we know them – as well as details as to where to find the album.

The music on this album was very much born out of this most unfortunate year. Our hope is that in this manner (as of course in many others) something good will come from it.

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The Lark Ascending

December 13, 2020 in Flotsam and Jetsam | Permalink

My tastes in music are distinctly catholic; the same being true of both popular and classical repertoires. With regard to the latter I must admit to being a romantic (actually probably true in many spheres) – the which never quite sat right with more formal classicists like my father whose interests tended toward the mathematical rather than the emotional.

I make no apologies for that…

I have a particular passion for the composers of what might be considered the golden age of British music (contentious, I know – but not the main drift of this post) – the music of Elgar, Holst and Vaughan Williams all being dear to my heart. Given the relatively low esteem in which English composers are held in general by comparison with the greats of classical music I sometimes wonder just what it is about this music which touches my soul in ways that, say, Mozart and Beethoven – for all their acknowledged genius – do not.

Is there some musical chauvinism at work or could it really be that there is something in the music that captures an essence of (at least part of) the country and of its peoples?

I am – of course – far from alone in my appreciation for these works. The long running British radio program – ‘Desert Island Discs‘ – for which (often celebrity) guests choose the eight recordings with which they would care to be marooned on the fictive island of the title, noted that Vaughan Williams’ ‘The Lark Ascending‘ was one of the most frequently chosen pieces. Indeed – when the program ran a poll of its audience’s all time favourite recordings, ‘The Lark…’ came out on top.

The reason for my musing on this subject in the midst of a British Columbian winter is that I re-watched the other day a short BBC documentary from 2012 – hosted by the late Dame Dianna Rigg – on the subject of ‘The Lark…‘.

Vaughan Williams started work on the piece in 1914 just before the outbreak of the Great War, inspired by George Meredith’s poem of the same name. In the hiatus that ensued Vaughan Williams (who was 41 at the time) served as an ambulance driver in France and Salonika. After the war he re-visited ‘The Lark…‘ with the help of the English violinist, Marie Hall, to whom the piece is dedicated. The original version of the work – scored for solo violin and piano – was premiered in December of 1920 in conjunction with the Avonmouth and Shirehampton Choral Society, at Shirehampton Public Hall, not far from Bristol.

The main feature of the 2012 documentary was a re-creation of that first performance of ‘The Lark…‘ at Shirehampton Public Hall, with the young violin virtuoso, Julia Hwang, in the staring role. The audience comprised mainly good folk of what we might call ‘a certain age’ and as the piece progressed the camera lingered on individual faces so that the viewer might best measure the effect the the work has on those with familiar sensibilities. The audience did not disappoint and no British stiff-upper-lip could disguise their emotional response to the piece.

What struck me most was that at the time of the recording, Julia Hwang was a mere fifteen years old. How could one so young give a performance with such intense detail; laden with emotions of which she must a that age surely have been innocent?

Therein – I would humbly suggest – lies the formidable power of music…

 

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