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Photo by Andy Dawson ReidThe Chanteuse and I would like to take this opportunity to thank all those gentle readers of this journal who have listened to – have downloaded – or have even purchased (the old fashioned way) our album release of earlier this year – “Winter Blue and Evergreen”.

We are also most grateful to those who have let us know what they think of the music. We have received many kind compliments and thoughtful responses, which certainly makes our efforts feel well worthwhile.

Thank you…

Lest you think that we might be sitting back and indulging in a creative vacation (in lieu of the more conventional kind currently unavailable) please be assured that we are ‘buzzing away in the hive’. We have been busy writing and preparing new material. Since Christmas we have been working on a number of new tracks and will shortly have finished the composition and arrangement of seven new songs.

We are also preparing for the most important element of the process; the recording of the Chanteuse’s vocals. We would dearly love to be able to record face to face again rather than having to do so across the Internet, but reluctantly accept that that may not be possible in the short term. These later stages of the pandemic might just prove to be the most frustrating of all, until we have a clearer picture of how things will pan out.

Do please keep watching this space (or check in or sign up to our website) – for further information regarding the availability of our new creations.

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Image by <a href="https://pixabay.com/users/friis-236854/?utm_source=link-attribution&amp;utm_medium=referral&amp;utm_campaign=image&amp;utm_content=333574">Philip Friis</a> from <a href="https://pixabay.com/?utm_source=link-attribution&amp;utm_medium=referral&amp;utm_campaign=image&amp;utm_content=333574">Pixabay</a>Well now… I figure that I owe all good, gentle and most patient readers something like half of a story – and as I aim to be a man of my word…

No recaps! If you want to catch up click here to revisit the last post and thus glean all there is to know up to this point; I’m just going to plough straight on ahead.

So – ‘Go West’ were recording in Gary, Dave and Rod’s studio, with Gary producing and Dave doing the synth programming and keyboard work. This was the early 80s, the era of synth-pop, the which had come about because of the advent of such seminal keyboards as the Sequential Circuits Prophet 5, the Roland Jupiter 8, the Yamaha DX7, the Korg M1 (of which I still have one which sits next to me as I write) and the ground-breaking Fairlight – so Dave’s particular talents were suddenly much in demand.

Gary and Dave worked on demo versions of two ‘Go West’ tracks – “Call Me” and “We Close Our Eyes” – which so impressed the record companies to which they were submitted that there was virtually a bidding war to sign the duo. ‘Go West’ became – for a while – pretty big in Europe (if not in North America) and toured there and as far afield as Japan. Needing augmentation for touring and recording they took on Gary and Dave as ‘permanent’ members. I remember Dave sending me a postcard from Japan when they were touring there.

As with many such genres synth-pop slowly faded from musical fashionability and ‘Go West’ faded with it – though the various constituent members are still working as far as I can tell (as would seem to be the case with many 80s bands).

Now – you may ask – why do I bring this all up right now? The answer is that – as mentioned before – the pandemic and associated lock-downs has led to a certain introspection and backward-looking – a certain affectionate wallowing in nostalgia, if you like. Long story, short – having lost touch with Dave at some point in the mid-80s I recently spent some time on the InterWebNet trying to find out what happened him. As is often the way in such circumstances I discovered some things that I had not previously known.

The band that Gary, Dave and Rob had formed back in the early 80s was called ‘Radar’. At the point at which they were swept up in the whole ‘Go West’ circus they were approaching the end of recording their own first album which was to have been titled “Lost in the Atlantic“. With everything else that was happening to them at the time that work was put on the back burner – and subsequently the album was never released…

…until now! This very year – just over a month ago – it finally came out in a limited release on a specialist label – Escape Music. You can read all about it here – and should you be an enthusiast for mid-80s synth-pop you might just care to give it a listen.

On a personal note it seems to me a somewhat strange synchronicity that – having lost touch with Dave at around the time this music was being created – I should next think to track him down (virtually!) at the point that it was finally released nearly four decades later.

Funny old world – ain’t it?

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As promised in my last but one post – an anecdote with a strong element of nostalgia… for me at any rate.

Back in the day (promising start – though we need not concern ourselves as to exactly which day) I played in a variety of bands in and around London in the UK. My very first band – in which all concerned cut their teeth as musicians – stayed together for around eight years, which really is pretty good going first time out. Amongst our other achievements we became connected to a Young People’s theatre company for whom we were invited to write a musical… and then another… and another… By the end of the 70s we had played our part in the creation of three musicals – two of which had been taken to the Edinburgh Fringe.

By that time the band had reached the point at which it was clearly time to go our separate ways. As a farewell ‘tour’ we managed to land a week of gig bookings back in Edinburgh at the Fringe Club and a night Upstairs at Ronnie Scott’s in London. This was to be our swan-song.

Now, at that point there were two brothers in the band who both played keyboards, but who were – for reasons I do not now recall – unable to make the trip north. We decided to do that which bands in the UK were wont to do in such situations – we advertised in the Melody Maker for someone to fill in. The ad was answered by a keen young chap who will for the purposes of this piece go by the name ‘Dave’ (for that was his name!). He was young (about seventeen I think) and precociously talented. He was also a really nice guy.

He duly came to Edinburgh with us – played Ronnie Scott’s with us – was appropriately sad when everything came to an end and we resolved to stay in touch – the which for a while we duly did.

Now Dave had left school by this point and was looking for somewhere to work. As it happened I was a regular gawker (and occasional customer) at my local music shop in Surrey and one day I saw advertised there the position of keyboard salesman. I drew this to Dave’s attention; he applied and got the job.

The guitar salesman at the store was a chap called Gary. He was somewhat older than Dave and had ambitions in both production and to play in a band. He and Dave and a vocalist/bassist called Rod quickly started working together. They built themselves a small studio (a lot more difficult in those less technical days) and set about writing and recording. They attracted some interest and soon gained a publishing contract.

At about this time various other local bands started to avail themselves both of the studio and of Gary’s production talents. One of these outfits was a duo that went by the name ‘Go West’.

Now – this story is clearly going to make for quite a long post, so I think it best to split it here and to finish it off in what I promise will definitely be the very next post…

See you then…

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It should perhaps be unsurprising in such times as these – that is, both when the winter is yet dragging its feet and noisily denying a platform to the incipient spring – and when the pernicious pandemic, still charging ahead at pretty near full throttle, keeps us cowering, heads well down, in our cardboard castles – that our thoughts turn to other and (in our memories at least) more gentle times.

Yes – it is for such ages that nostalgia was invented. This post (and quite possibly the next) will be devoted to the subject of just such wallowage (a word which appears in abundance on the InterWebNet but which may not be located within any dictionary as far as I can see).

At this point two years ago we were excitedly preparing for our last visit to the UK and to Europe (now, of course, sadly different things!). As that was to be our first trip back since moving to Canada in 2015 it is not surprising that revisiting old haunts and re-uniting with loved ones – both family and friends – featured prominently on the agenda.

Having done so within these postings on more than one occasion I am not about to recount yet again our doings on that trip but more to dwell upon the aftermath thereof… the echoes, should one prefer. I wrote at the time of the friends and family with who we had been re-united and I also waxed extremely lyrical concerning the long-lost contacts that were remade – particularly with those with whom I had at one point been fortunate enough to have created music or theatre.

Quite delightfully many of us who re-kindled associations on that trip are still in touch by one means or another – but mostly, it should be said, courtesy of the InterWebNet. Some keep in touch by email – some follow this blog (and on occasion respond thereto) and others have formed or joined the sort of online groups that may be used to share memories of people, places and events from our shared pasts.

Quite apart from the pleasures to be enjoyed by the recollection of the treasured memories that may thus be evoked this does give me – at least (though I suspect others also) – pause to consider just how rich were the experiences that we shared and the relationships that we formed. In my view we were – and still are – lucky, lucky people…

The next post will concern one of those odd little twists of fate that perhaps all lives throw up… (or perhaps not)!

On with the nostalgia…

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Fragile

“If only these treasures were not so fragile as they are precious and beautiful.”

Johann Wolfgang von Goethe – The Sorrows of Young Werther

I watched the other day – on the splendid but disturbingly imperiled BBC – the latest in Alan Yentob’s arts strand – ‘Imagine’. The most timely subject of this episode was the delicate state of the arts in the UK (but by extension also throughout the western world) as a result of the COVID-19 pandemic.

The point was well made that the case for spending government monies to protect the arts at a time when the health service is all but overwhelmed and when old people are dying in care homes (as was certainly the case at the start of the pandemic) is extremely difficult to make. It is – of course – always difficult to mount any such convincing justification for the arts in times of crisis and disaster.

Except that – whereas Mazeroff’s ‘Hierarchy of Needs’ certainly depicts our physiological and safety needs as comprising the broad base of the pyramid, as one heads on upwards towards the top where love and belonging, esteem and self-actualisation are to be found, we once again rapidly discover (as a by-product of our unwanted incarceration through lock-down) that life without the arts, with all their magnificent variety and substance, loses a surprising measure of its meaning.

If that were not case enough for protection of our priceless and precious artistic assets then let us fall back on that ever reliable argument – economic benefit. In the UK alone the arts and culture sector contributes nearly £11 billion a year to the UK economy on a turnover of more than £21 billion per year – supporting in excess of 260,000 jobs. Even given that some £900 million of funding flows each year from central government into the arts and culture, the recuperation from the sector of £2.8 billion a year in tax revenue represents a very decent return.

The UK government has at least recognised the urgency of supporting the arts sector – the which was by and large the first to close in the COVID-19 lock-downs and will in all probability be the last to re-open – and has made £1.5 billion in funding available to keep companies and venues afloat.

All very reasonable as far as it goes – except that the arts is considerably more than just famous actors and musicians, well-renowned companies and grandiose venues. The majority of those who work in the arts and culture sector do so, in fact, as freelancers and as such are not covered by the government’s emergency funding arrangements. Anyone who has even tenuous connections with the arts world (as do I) will know of people whose livelihoods have all but disappeared overnight. If they are forced out of the arts for good a large chunk of the arts economy will disappear with them.

Please do spare a thought for such folk and do whatever you can to support them.

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I have struggled for decades now with the fear of and resistance to change – mostly in the realms of technology, transportation, and the ways people choose to communicate. If I had a theme song, it would be that lovely song ‘I’m Old-Fashioned,’ as sung by Ella Fitzgerald.

Julia Glass

I have probably written quite enough on these pages in recent times about “Winter Blue and Evergreen” – the album (which I shall determinedly call that just to be even more old-fashioned) that the Chanteuse and I have of late let loose upon an unsuspecting world.

There was much talk of streaming and downloading and Spotify and YouTube and suchlike… all wonderfully modern concepts and jolly splendid for anyone in the business trying to make a name for themselves; or not in the business and just trying to listen to some music.

But then again… there are some folks (like me) who really are just old-fashioned about such things and prefer their music still to be on a physical CD. Let’s not get side-tracked at this point by those who prefer vinyl or – heaven fore-fend – cassette tape or even (shudder!) 8-track!

I played CDs myself in the car until very recently – when the CD auto-changer in the Lexus stopped reading them properly. I did look for a replacement but the cost was prohibitive so I had to switch to a Bluetooth receiver and my phone instead – which is actually way more efficient…

Ahem!

No – the point is that some folk prefer CDs and when it comes to “Winter Blue and Evergreen“… CDs we have got! You can’t order them through the website (at the moment) but you can just drop me a line and I will send you one.

Can I say fairer than that?

I think not…

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Onward!

“From a certain point onward there is no longer any turning back. That is the point that must be reached”.

Franz Kafka

I predicted in my recent ‘Review of the Year‘ post that this effort (a look ahead to the year just started) would either be dealt with in short order (there being nothing much to which to look forward) or really rather difficult to write.

We shall see which turns out to be the case…

Now – I could write a very simple list of things that we would like to achieve this year. It would look something like this:

  • To get to see family and friends – face to face!
  • To be able to entertain again
  • To dine out
  • To see some live theatre
  • To enjoy some live music
  • To attend a live sporting event (preferably Rugby!)
  • To be able to travel… anywhere!

I do realise, of course, that these objectives may well be very similar – with minor variations – for many, many people this year. In the spirit of making a proper effort, however, I will see if I can do a little better in terms of our particular situation.

Extremely blessed as we are financially with the relative security of our pensions (who would have ever thought to be able to write such a thing) and our on-going part-time jobs, the one positive side-effect of not being able to do any of the things on the list above is that we do not currently have any major outgoings. For this reason we have decided to invest a little further in renovations to our home.

Readers may recall that in the spring of 2017 we had our new deck built on the back of the house. In the winter of 2017/18 we tackled the greatest challenge, with the wholesale renovation of the main floor of the house. In 2020 we had the exterior redecorated.

All that remains is for us to do some upgrades and tidying up in our basement. Our main guest bedroom is down there and needs a proper bathroom in place of the lashed-together affair that it currently has. The small kitchenette needs remodeling and upgrading and the family room – that which we re-painted in 2019 – needs to have its purpose properly defined and to be re-jigged accordingly.  We are thinking that we may turn some of it into a small fitness room.

This is all currently in the planning stages with a view to being effected in the spring/summer.

As I say – we are both expecting to carry on working – at least part time. I am not teaching this term (too small an uptake) but may instead teach a condensed version of the course in the spring (summer) term. The Girl will continue three days a week at her volunteer agency and is still seeing clients with her other hat on. I too will continue to make and promote music with The Chanteuse – following whatever course that may take.

As things stand I don’t think we can look further ahead than this. Like everyone else – we wait and watch…

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Well – I think that I can now officially report that the new Anam Danu album – “Winter Blue and Evergreen” – has been officially released into the wild!

You can – should you be willing to give it a listen – find it at many of the usual online outlets – Spotify, Apple Music, Amazon, iTunes, YouTube, Bandcamp et al – whence it can be streamed, downloaded or purchased in the usual manner.

The best way to locate it is to visit the Anam Danu website at:

https://anamdanu.com

…where you will find information about the album and appropriate links to a number of the most common digital music sites.

We are awaiting physical CDs (wrapped in Martin Springett’s gorgeous artwork) to arrive from our supplier. For those who are sufficiently old-fashioned (like me!) that they prefer a physical object do let me know and I will happily send you a copy. It will be winging its way from the west coast of Canada, however, and if Canada Post’s recent Christmas performance was anything to go by I would advise hunkering down and settling in for a significant wait. Still, with lock-downs abounding around the world, what else do you have to do?

If you do have a listen – and like anything that you hear – we would be most grateful if you were to do us a huge favour by recommending it to someone else.

Thank you in advance. Enjoy!

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“You can’t connect the dots looking forward; you can only connect them looking backwards”.

Steve Jobs

Yes – it’s that time of year again. Time to look back at the good intentions that I enumerated in the equivalent post last January – ahead of the first year of the new decade – and to determine just how well or how badly we did in our efforts to accomplish them.

Now – I hardly need to point out that 2020 did not turn out the way that it was expected to – for anyone… so, when I look down last year’s list I really don’t expect very much to appear in the ‘tick-done’ column.

The first point of business on last year’s list was actually a reference to the fact that we were – at that point – pleased to be playing host to a very long-time friend (particularly of The Girl’s – they having done some of their growing up together in Kamloops) who had been in urgent need of somewhere to live. It was truly a delight to have her with us, as she was until well into the summer. She is now working in Vancouver and we are delighted that she found considerably better fortune as the year progressed.

I mentioned that I was teaching a new course – an introduction to Computer Science – about which I had been quite nervous. As things turned out it went a lot better than I had expected and I found myself rather enjoying it – in spite of the fact that the shutdown with which we were inflicted in March resulted in my having to teach the last three weeks of the course online. I taught again in the autumn – this time entirely online – for upwards of thirty environmental science students whom I never met face to face. Strange times.

I also mentioned last January that we were going to run away for a week in February to Mexico. This we did – and had a lovely re-charging break there – though the COVID-19 lock-down undid a fair bit of the good work that had been done shortly afterwards.

The pandemic has disrupted so many lives – in some cases, of course, tragically – and The Girl and I feel particularly blessed in that we have been affected way less than have many others. We are very fortunate in that our property here on the peninsula affords us a very benign environment in which to be locked-down. I found teaching online to be less of a challenge than I expected, though it did take a fair bit of work in terms of preparation. The Girl works pretty much exclusively from home and that works reasonably well also. She thought at one point that her new business would have to go into hibernation whilst the pandemic lasted, but meeting clients in video-conferences has proved more effective than she expected it to – and she has found herself with rather more work than she anticipated.

I professed the hope, in last year’s missive, that I might get the opportunity to do some more music-making with The Chanteuse. As regular readers will be aware, things turned out to be considerably better than we feared might be the case – and we contrived to record a whole new album purely working online. I will post more news on that front in just a few days from now.

Naturally all travel plans (post-Mexico) went out of the window, something that we don’t expect to see changing anytime soon.

I rather suspect that the companion post to this one – in which I look forward to the year ahead – will be considerably harder to write and probably also considerably shorter, as it is very difficult to tell how things are going to pan out over the coming months.

I will, however, do the best that I can.

 

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Having described in my last post how we came to be lucky enough to have Martin Springett designing for us the cover of our new album – “Winter Blue and Evergreen” – this post demonstrates how Martin’s design evolved from the draft pencil drawing to the finished artwork.

Martin was generous enough to keep us informed throughout the process and watching the eventual artwork slowly emerge was a fascinating and valuable lesson.

From the draft Martin drew the final outline of cover in a larger form:

He then started to fill in the detailed shading – still working only in monochrome:


…until the final form was complete:


The image was then digitised and coloured on the computer. Doing so has the significant advantage that different colour values can be tried before the final version is settled upon. Martin also added the titling and borders to turn the wonderful image of the Goddess into a CD cover.

 

At this point the artwork was sent to us – in digital form – so that we could submit it to our chosen Digital Music distributor and to work it up into a cover for physical CDs:


Martin is in a position to be able to choose from whom he accepts commissions and we are greatly honoured that agreed to design and create our album artwork for us. Do check out Martin’s splendid website – as well as that of his band – The Gardening Club.

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