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Missing out

November 28, 2020 in Life in BC | Permalink

“You could grow up in the city where history was made and still miss it all.”

Jonathan Lethem – ‘The Fortress of Solitude’

We are – when all is said and done – having a good pandemic!

Now, should the gentle reader take offence at my flippancy (a fair call one might say) consider that – compared to those who have lost loved ones – to those who have themselves been ill – to those who have lost their livelihoods – to those, even, who have had to endure lock-down separated from family or in cramped and unsuitable quarters… we are undoubtedly blessed a thousand times over.

I hope that you will forgive me for wishing that, for us, it will remain that way. I truly wish that all were similarly blessed.

Even so…

It is difficult to look back at the autumns (falls) of previous years without a certain wistfulness adding itself to my habitual autumnal melancholia. Since The Girl and I found our way to these shores more than half a decade ago we have noted that Canadians (well, Victorians certainly) are in the habit of leavening the often dreary run in to the festive season by means of a variety of diversions and entertainments. We have – quite naturally – happily joined in.

Looking back over the past five years of autumnal blog entries I can see that music has featured strongly: Our annual rendezvous with Barney Bentall’s Cariboo Express has become almost a tradition and the season has also featured other regular charity concerts, such as those supported by Victoria’s ‘New Orleans inspired Funk Brouhaha‘ outfit The Hi Fi. The last few years have also seen one or more of us in attendance at gigs by artists such as Simple Minds, Cowboy Junkies and Skerryvore.

Theatre has also featured strongly. The Belfry usually starts its new season in the fall with us in anxious attendance, hoping for signs that this season will be a ‘doozy’ and that – come springtime – we will not be feeling faintly dissatisfied (as we occasionally do) with the fare on offer. Now is also the time of year that Intrepid Theatre normally goes into full-on fund-raising mode, with its annual ‘Merry & Bright‘ event at The Atrium downtown.

Not this year – of course…

I see also from my retrospective perusing that we have on more than one occasion enjoyed a trip to Vancouver during this season – often with some Rugby involvement. We had tickets this year for the Rugby Canada Halloween Event at BC Place in Vancouver which would have featured Canada, the USA, Fiji and an All Black XV. We had even booked our hotel!

We still have on our mantle a slightly sorry stack of tickets for various events – all of which have been postponed and will (hopefully) be rescheduled when it is safe so to do. But for now…

Sigh!!

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A sweeter sound

November 25, 2020 in Flotsam and Jetsam | Permalink

“Recording studios are interesting; a lot of people say – and I agree – that you should have a lot of wood in a recording studio. It gets a kind of a sweeter sound”.

Paul Allen

I find that I am spending a great deal of time in my little studio these days. There is the music – of course; we are very busy trying to get our album finished and out into the world. I also use the studio for my teaching (and the preparation thereof) – which is all done over the Internet at the moment for COVID-19 reasons. To accommodate these multiple tasks the studio has slowly evolved since the days when it was first set up back in 2016 and I posted the first pictures of it to this forum.

This is what it used to look like:

And this is how it is now:

Nice new rug, don’t you think?

Now – you might think that having three screens is simply overkill. When I’m teaching, however, the conferencing/chat software that we use runs on the centre screen – the presentation (or any other resource) that I am teaching from runs on the left one and the third one is used for looking ahead in the materials, for trying things out or checking details in answer to student queries that come up during the class. A lot of multi-tasking goes on! During Lab sessions this third screen runs a remote desktop session on an machine in one of the College’s computer labs so that I can assist any students who are working there.

It is quite a juggling act – and towards the end of term it all gets pretty tiring.

Roll on Christmas, say I…

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His Master’s Voice

November 19, 2020 in Flotsam and Jetsam | Permalink

My last update on the topic of the new music shortly to appear from Anam Danu (my now two year collaboration with The Chanteuse) hit the streets (ie – appeared on this blog) about a month ago now. We had – at the time – just sent out copies of all of the tracks in our burgeoning collection to a small number of trusted individuals with the request that they give us their unvarnished opinions thereof.

This they duly did – and lessons were learned!

As a result – and after a certain amount of horse-trading – we ended up with a mutually acceptable running order. Final mixes followed rapidly, exported as 24 bit WAV files (that is in decently high quality versions) and the package completed with a guide MP3 file of the whole album with timed inter-track gaps, fades and suchlike. Accompanied by the necessary documentation – band name, album title, track names and numbers, track times and ISRC numbers for each track – everything was transferred to our chosen mastering company (CPS Mastering of Vancouver) and left in the care of the estimable Brock McFarlane.

Now – for those who have no idea what audio mastering entails, Wikipedia has this helpful explanation:

“Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication).

One of the key reasons for getting your mastering done professionally is that – being effected in a suitable acoustically-neutral mastering environment –  the end result can be guaranteed to play successfully on pretty much all systems and in all spaces.

Yesterday we received from CPS the first mastered draft of the whole collection. We must now spend much time listening to it on different devices and in different environments to figure out if anything needs tweaking or whether we are good to go.

Then we just need to wait for album artwork (that’s another story!) and the whole can be dispatched to our chosen digital distributor to be sent to the various streaming/digital music providers – and CDs burned as required.

I will – of course – keep you informed of (inevitably slow) progress…

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Out for review

October 22, 2020 in Flotsam and Jetsam | Permalink

“My congratulations to you, sir. Your manuscript is both good and original; but the part that is good is not original, and the part that is original is not good.”

Samuel Johnson

In my post to this journal of July 17th – ‘Closer than you think‘ – I described how the Chanteuse and I had contrived – in spite of all difficulties arising from the COVID-19 pandemic lock-down – to start remotely recording her vocals onto a set of ten tracks that I had prepared – and which we hoped to turn into a new Anam Danu album in due course.

My last update on the matter came at the end of a post of August 25th entitled ‘Busy, busy, busy‘ – the which was primarily (unsurprisingly) concerned with just how busy we were… it being ‘that time of year’!

Well – these things do indeed take time – but I feel that an update is due.

We have finished recording the vocals and the tracks are essentially complete. That does not mean that they are ready to be sent out into the world. I have been doing much in the way of post-processing and making initial and intermediate mixes. The next stage is to finalise the mixes, to decide on the sequencing and to send the tracks off to a professional Mastering Engineer to get them ‘mastered’ ready for submission to whichever online distribution company we choose to go with. Much more on that stage of the process later.

There is – however – one more thing to be done before we send our tracks for mastering… and that is to get feedback on them from some trusted and interested parties. That is where we are at right now – and I can tell you that it is a nerve-racking process. Having spent many months in very close proximity to these creations as they have evolved we must now stand back from them and ask others to give us – in their own time – their opinions on our endeavours.

Not much makes me nervous. This – however – does!

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Busy, busy, busy

August 25, 2020 in Life as we know it | Permalink

There is no Victoria Fringe Festival this year, for reasons which will require no further elucidation. Indeed, fringe festivals are – in this exceedingly difficult time – exceedingly thin on the ground.

In common, no doubt, with other similar organising companies Intrepid Theatre juggled for a while notions of alternative festival forms (online only – local companies in carefully socially isolated venues…) but in the end had to admit defeat. One of the major problems is that many small fringe companies can only make their festival visits work financially if they can hop from one such to another, filling their summers with a brief international tour of fringes. Economies of scale – dontcha know…

Well – no-one is doing international fringe tours this year – so that all went out of the window. Intrepid – like many small companies heavily reliant on grant income – is having to work hard just to survive, without taking on further major challenges. Kudos to them – say I – for keeping the ship afloat.

So – the gentle reader will doubtless be musing – at a time of year when things are normally pretty frenetic, the Immigrant must be able to kick-back and enjoy the dog days sitting on the deck, chilled white in hand, enjoying the late August sunshine.

Not a bit of it! I am busier than ever and cannot frankly imagine how my fringe duties might have been fitted in at all.

The chief source of such busyness is my rapidly upcoming computer literacy teaching. Term starts in a couple of weeks and, because the course is being taught entirely online, all of the course structures and materials must be re-designed and re-written accordingly. It is one thing in normal times for students to slumber gently for ninety minutes in a lecture theatre whilst I drone on about the good-old days of computing (after all, when I am done they can all head off to the cafeteria for cheap sustenance and the chance to ‘diss’ my efforts) but quite another being taught online. In the comforts (or otherwise) of their own homes not a one of them would put up with an hour and a half of a disembodied voice emanating from the equivalent of a Zoom session. They would more likely just go back to bed and do what students do best.

No – the canny lecturer just has to get a whole bunch more canny than ever in order to keep them engaged. I will report back as to how it all goes.

My other busyness is much more fun. Since The Chanteuse and I discovered how to record with each other safely at arms-length we have been rampaging our way through our back-catalog of as-yet unrecorded tracks – trying to complete them before she too has to go back to work in September. Though I say it myself, we have been doing some great work. There is much to do on the mixing and mastering fronts – not to mention all the other bits and pieces that go to make up a release – but we have an album’s worth of material and we aim to get something out into the big wide world this autumn.

Now – that is exciting! 

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You win some…

August 8, 2020 in Life as we know it | Permalink

…you lose some!

My last posting celebrated our recent tenth anniversary dinner at the Deep Cove Chalet at the top end of the Saanich peninsula. Though obviously meaningful in its own right this event carried an extra significance in that it was our first meal out at a restaurant since the COVID-19 lock-down took effect in mid-March. We have somewhat lost the habit of dining out and it felt slightly surreal to be doing so again. We were glad in the circumstances that we got to dine outside on the terrace; we are still not sure how we feel about repeating the experience indoors.

In any case the evening started me thinking about all of those good things that have been lost to us all in this peculiar summer as a result of the pandemic. I am not in this instance referring to those who have tragically lost loved ones, friends or colleagues (or even of those who have themselves been ill) – our hearts go out to them all and those that we know are very much in our thoughts.

No – in this case I am thinking of the everyday things that have disappeared or been put on indefinite hold and have as such left a hole in our lives. In addition to dining out and gathering together with friends we very much miss going to the theatre and the loss of the live music scene is keenly felt; at this time of the year we would normally be enjoying the weekly music in the park series in nearby Brentwood Bay.

Travel is not so much missed – the thought of flying at the moment gives me the shivers – but the pleasures of planning the next trip are. I do, of course, also miss live sport. International cricket has recently resumed in the UK – played in empty grounds and with the players essentially quarantined for the duration of the series. Rugby has yet to restart and is sorely missed. We have still not yet seen the end of the Six Nations tournament that was so abruptly truncated in March.

As is my nature I also fell to wondering if any positives could be identified from this much disrupted period. I believe that there are. Not having to commute to work is a definite plus, as is being able to spend more time at home. We are fortunate in that we have not – as have some – gone stir-crazy as a result of a paucity of things to do. We have both been busy, busy, busy… (in my case this includes the writing of many new songs and the re-writing much of my course material for the autumn).

Some people’s gardens have had more attention than they have had for a good long while and one of my great joys has been just how much more time we have spent entertaining in our garden (in a suitably socially distanced manner, of course). In some years this wonderful garden does not seem to get enough use – what with one thing and another. This year has more than made up for any previous lack.

Of course, we have not yet arrived at the hardest part of the lock-down. At the start of it we were all in a state of some shock and just wanted to hunker down and stay out of trouble. By the time we started getting really restless again the summer was upon us and there we pleasant diversions – even if only just outside our doors. Now we are heading rapidly towards the autumn and the winter – with no relief currently in sight.

I fear that it is going to be a long, hard winter…

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Closer than you think

July 17, 2020 in Flotsam and Jetsam | Permalink

“The stars up there at night are closer than you think.”

Doug Dillon

‘Twas but a mere handful of posts back that I was bemoaning the sad fact that the Chanteuse and I had been unable to get on with recording the seemingly endless (hopefully!) sequence of songs that I am clearly engaged upon writing at the moment. The latest in a line of tragic circumstances (in this case one that affects everyone – the COVID-19 pandemic!) had put a stop to any prospects of two non-isolation-group souls singing with each other – thus rendering recording impossible…

…unless we could come up with some means of so doing that did not require us to be in the same room (or even the same building)! Well – clearly other people are doing just such things, so it must be possible. Indeed there is a plethora of different technical solutions to the problem, but at first glance nothing that met our preferred and exacting requirements.

What we really wanted to be able to do was to record the Chanteuse’s voice exactly the way that we normally do – with the exception of each being in our own homes rather than together in my little studio. This would involve my playing the track from my DAW (Digital Audio Workstation) – the Chanteuse listening to it on headphones and singing the vocal part along with it – and my recording the resultant performance back into the DAW. I would then need to be able to play the ‘completed’ track back so that we could both listen critically to it.

Clearly the best way to effect such a seemingly complex technical trick – given that we don’t have the budget of an international broadcaster or major telecommunications company – was to use the InterWebNet. But how might that even be possible?

Well, the solution that I eventually found – after trying just about every alternative that we could reasonably afford – comes from a German company and is called SessionLinkPRO. It is a web application that works – joy of joy – using just Google’s Chrome web browser and has a splendidly simple but effective interface that enables two computers – one running the DAW software and the other equipped with an audio interface and studio microphone – to send and receive simultaneous digital audio streams at studio quality. Sweet!

We had our first online recording session this week, finishing off a track that we had started recording back at the beginning of March. Though SessionLinkPRO also offer video links if required we chose to work simply with audio and we were naturally a little worried at first that not being able to see each other – and the inevitable slight audio delay in the round-trip signal – might make the session awkward. We were, however, rapidly into our stride and in discussion afterwards decided that – since we don’t really look at each other whilst working anyway –  the task at hand was no more taxing than it normally is.

The proof of the pudding is that – having done the first mixes of the track concerned – it is virtually impossible to tell that different parts of the vocal were recorded at different times and in entirely different circumstances.

Kudos again to SessionLinkPRO – and should any gentle reader be interested in the technical details of the setup I would be happy to furnish them.

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Ennio Morricone

July 7, 2020 in Flotsam and Jetsam | Permalink

Ennio Morricone

1928 – 2020

RIP

 

We are fortunate that – in this world and at this time – we are as a civilization blessed with a sizeable number of good composers of film and television soundtracks. A considerably smaller subset of that number may actually be counted amongst the great composers, whose works will outlast them.

There are – however – only a very, very small number who can rightfully be considered and lauded as geniuses…

…and – as of today – there is one less.

Much that need be known about the importance of Morricone’s scores (even those for films that in themselves scarcely merited such adornment) can be gleaned from the widely reported fact that parts of the scores for Sergio Leone’s initial trilogy of ‘Spaghetti Western’ films were recorded before the filming was started; the antithesis of usual practice. This was done so that Leone could use the music during filming as a backdrop against which to choreograph the action.

My personal favourites – which contain music that can move me to tears on any day, let alone one as sad as this – are the scores for “The Mission” (which was a huge influence on me) and for “Cinema Paradiso”.

I leave the gentle reader and the vagaries of Google to provide a suitable soundtrack to this posting.

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The Lost Chord

June 25, 2020 in Flotsam and Jetsam | Permalink

On the first day of October last year – nearly nine months ago now – I posted to this journal a celebratory piece concerning the long-overdue uploading to the InterWebNet of some of the music of Anam Danu – the collaboration between the Chanteuse and I that had started roughly a year earlier.

We had chosen the excellent musicians’ site – Bandcamp – for this initial foray and made available a collection of seven tracks on which we had been working since the 2019 new year and which we had had professionally mastered by the estimable CPS Mastering of Vancouver. If you have not thus far been fortunate enough to have heard the Chanteuse in action I commend to you this offering – the which is entitled “Winds of Change” and which may be located here:

https://anamdanu.bandcamp.com

The October 1st post noted that to the seven tracks already uploaded were to have been added a further three songs – to complete the collection. Visitors to the site will, however, not have missed the fact that – nine months down the line – there are still only seven pieces there.

Unfortunately, scarcely had we uploaded the material – and certainly before we were able to make a serious attempt at publicising the fact – the first of a sequence of harrowing events overtook the Chanteuse. I am certainly not going into any of the details of the months that followed but I will just say that had some budding TV script-writer come up with such a far-fetched narrative they would have been drummed out of Hollywood. All I can do is to offer heartfelt sympathies for all that occurred.

As dictated by Sod’s Law we had no sooner held our first recording session subsequent to these events than the pandemic struck – along with the accompanying lock-down. That pretty much put a stop to any thoughts of further work and the powers that be have made it quite clear that singing is going to be one of the last things that we will all be allowed to do again in ‘public’.

What the rest of the musical world is doing at this point is finding ways to work and to record remotely – thus avoiding the problems of isolation. Because of the sequence and timing of the events that lead to this point we were not able to make any provision for such a course as the lock-down was imposed. I am now struggling to put in place a suitable mechanism for working in this manner – but much new learning is required and these things take time. I will – of course – offer updates on this journal as to how we get on.

The thing is – though we have been unable to record, I have also been unable to stop writing songs. Since we last worked together I have written and recorded the tracks for a further nine compositions!

It would be good to be able to finish some of them…

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The Journey Home – 2

May 31, 2020 in Flotsam and Jetsam | Permalink

If the first week of our epic jaunt to the UK and to Europe this time last year was all about me revisiting people and places that I had not seen for a goodly period – more than three decades in some cases – then the second week was about two things: visits with family and an opportunity for The Girl to catch up with those with whom she worked and played during her time in the UK.

Once we had enacted a joyful reunion at Heathrow airport (full details withheld to protect those of delicate sensibilities) The Girl and I boarded our hire car and navigated our way around the M25 to the town in which I grew up and where my brother still lives. It had been our intention to stay with him for the following week but as a result of the unforeseen circumstances detailed in this gripping blog episode we found ourselves rattling around a mostly empty grand hotel just down the road.

Photo by Andy Dawson ReidNow – as it turned out this worked out particularly well for a number of reasons and we owed a great deal to my brother both in terms of smart thinking and also of massive generosity on his part (for he footed the bill!). Kudos!

Not only was the hotel a very good base for our excursions into Berkshire, Buckinghamshire and other nearby haunts where The Girl (and I in appropriate cases) was reunited with some of those with whom she had worked and some with whom she had become good friends (to the great joy of all concerned) but staying in a place with a bar and lounge that was open to service all day meant that those who had not been able to attend other gatherings could call by and one or other (or both) of us could spend a happy hour or so catching up with all of the news and gossip from the previous half decade or more. I was delighted to make connections anew with others from my musical and theatrical past and – as was the case with all of those whom we met throughout our stay – I was overwhelmed by the expressions of joy and love with which we were bathed.

Photo by Andy Dawson ReidWith regard to family it was good to see my sister and brother again – though in both cases we have in the interim been fortunate enough to have had visits from them in Canada. My brother and his Lady in particular went out of their way to entertain us and to ensure that our visit was a success. There was dining and quaffing – a boat trip to Hampton Court – a visit to the Victoria & Albert Museum (with lunch in the Members’ Room!) and much more. In short – they treated us royally and we were most grateful.

Photo by Andy Dawson ReidWe were quite sorry to leave our grand hotel but the third part of our expedition was to take us on a road trip around some parts of southern England to stay with other old and dear friends. More on that next time!

Before I go – the image below is of my alma mater’s boathouse, the which is on the bank of the river Thames opposite Hampton Court Palace. It is named the R. C. Sherriff Boathouse after one of the School’s famous alumni. The playwright had been a great sportsman, had rowed for the School and subsequently raised funds for rowing both at the School and for the nearby Kingston Rowing Club. On his death in 1975 his house – Rosebriars – was sold and the monies from the sale put into a trust to help support the arts in the district. The youth theatre with which I was associated benefited from these funds during the 90’s, which enabled us to commission a writer to create a new play for the group.

Photo by Andy Dawson Reid

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